An extraordinary array of new documentaries explore the unknown, the world, our lives with a committed eye and an inquiring camera. These works have more in common with avant-garde cinema, indeed all good cinema, than with documentaries you might see on television, yet there exist few opportunities to view them. Less concerned with facts and balance than with creating compelling images and searching narrations, the films presented in our August series include fever dreams from an intensive care unit, amateur super-8 fantasies from Iran, fervent Shi'ite rituals captured in extended takes, and perhaps most extraordinarily, a nine-hour foray into industrial China. The styles range from portraits-an Italian mother and a Hungarian philosopher are each explored through home movies, while a photographer's life is rendered entirely in still images-to political art: ten years of puppet performances, a summer tour of a Chechen dance troupe, a thoughtful analysis of sixties revolutionary movements. The personal intersects with the painful, the communal traverses history, fiction makes incursions into documentary, all thanks to a man or a woman with a movie camera.
Kathy Geritz
Associate Film Curator