A nine-part film and video series, One Way, or “the Other” tracks the evolution of Asian American film-from Wayne Wang's Chan Is Missing (1982) to Gina Lim's Invisible Light (2003)-hoping to gain some insight about the impulse towards identity, a politics of culture, or, in some cases, an avoidance thereof. While the BAM gallery exhibition One Way or Another: Asian American Art Now focuses on artists who came of age in the eighties and nineties, the film series concentrates on the influence of young artists from more than one generation, so the works you'll see were made by Asian American mediamakers in the formative stages of their careers-Gregg Araki, Shu Lea Cheang, Jon Moritsugu, and others-powered by the iconoclasm, exuberance, and intellectual curiosity associated with youth. You'll see films that are preoccupied with issues of identity, like Chan Is Missing; others, like Quentin Lee's Shopping for Fangs, that settle for settings with an ethnic bent; and still others that find their identity elsewhere, in punk culture or sexual orientation, like Moritsugu's Mod Fuck Explosion. In addition, we present two special screenings with contemporary media artists who pursue the more performative and experimental short form. San Francisco–based James T. Hong and San Francisco–born Patty Chang will be here to investigate the id in identity.