Using a style best described as theatrical documentary, Kevin Jerome Everson's Cinnamon scopes a young African American woman pro-stock drag racer named Erin, a desk jockey by day but behind the wheel, pure focused reflex.
Laura Parnes in Person. Parnes has adapted one of the late Kathy Acker's most notorious novels, Blood and Guts in High School, about a punk at war with Reaganism, in a spare style she calls Brechtian MTV. Shown with Hollywood Inferno: Episode One, a Dante-esque descent into the big H.
Eteam is back! Franziska Lamprecht and Hajoe Moderegger return to their parched parcel of property in Nevada (previously seen in 1.1 Acre Flat Screen) only to face a right-of-way dilemma, right away, as a thoroughfare plows through their 660-square-foot square of scrub. Is the solution an overpass, bypass-or impasse? With works by Scott Stark and Jacqueline Goss.
Jordan Biren and Jennifer Reeder in Person. Biren and Reeder are both uncanny chroniclers of the suburbs as a place of charmed suspension and disquieting quiet. Biren's newest, My Mother's House, is like Thomas Kinkade with a chill factor. Reeder's new high-def noir The Heart & Other Small Shapes observes as the inanimate comes alive. With earlier works by both artists.
Darrin Martin in Person. The innovative works of Darrin Martin use video as raw material for the reinvention of social mythologies, from Aviator, which gives performative expression to flying as a psychic state, to his object-related futuro-performance collaborations with Torsten Burns, to a recent visual exploration of acoustic loss, Monograph in Stereo.
Jordan Biren and Lewis DeSoto in Person. DeSoto's Show Car on Display at the Theater! Biren's new DeSoto Conquest follows artist DeSoto's postcolonial ride into the perverse poetry of a car named after an infamous explorer. With hard-drivin' short works by Kenneth Anger, Bill Daniel, John Knoop, Len Lye, and Robert Nelson.