Satyajit Ray (India, 1963). 35mm Restored Print! In honor of the centenary of the writer Rabindranath Tagore's birth, Ray made this feature based on three Tagore stories. (171 mins)

Eyal Sivan (Israel/France/Germany, 1999). Inspired by Hannah Arendt's Eichmann in Jerusalem: A Report on the Banality of Evil, The Specialist is composed entirely from archival footage from the 1961 Israeli trial of the Nazi SS lieutenant colonel Adolf Eichmann. “An amazing document. Succeeds on quiet, frightening terms” (New York Times). Preceded by Deborah Stratman's Village, Silenced. (135 mins)

Stanley Donen, Gene Kelly (U.S., 1952). Lecture by Emily Carpenter. Gene Kelly and Debbie Reynolds dance their way across the screen in one of the greatest American musicals of all time, set during Hollywood's transition from silent films to sound. (102 mins)

Three award-winning portraits of African life, both on the continent and in the U.S.: Frances Bodomo's Boneshaker (starring Oscar nominee Quvenzhané Wallis), Akosua Adoma Owusu's spellbinding Kwaku Ananse, and Bentley Brown's Faisal Goes West. (72 mins)

Anthony Mann (U.S., 1948). Introduced by Max Alvarez. Archival Print! Two U.S. Treasury Agents go underground to shut down a funny-money ring in this documentary-style noir, shot by the great John Alton. (92 mins)

Howard Hawks (U.S., 1953). Jane Russell and Marilyn Monroe are two gold diggers from Little Rock who prove that big shiny rocks are a girl's best friend in Hawks's brash, satiric take on the musical genre. Seriously saucy, Gentlemen Prefer Blondes augured the end of screwball and the opening of the cleavage comedy. (91 mins)

Anthony Mann (U.S., 1948). Introduced by Max Alvarez. Archival Print! A convict breaks out of jail in search of vengeance-but a demented thug (Raymond Burr) has other ideas. In another stylish, shadowy Mann/Alton collaboration from the 1940s, "the violence, both physical and emotional, is still shocking” (Chicago Reader). (78 mins)

Satyajit Ray (India, 1963). 35mm Restored Print! Ray sets his ironic and humorous eye on the plight of the Bengali middle class, caught amid the changing moralities of urban life. Focusing in particular on the role of women in this metamorphosis, Ray tells a story that is both minutely particular to Calcutta and universally recognizable. (135 mins)

Jean-Luc Godard (France, 1964). New Digital Restoration! Godard's Homeric homage to Fritz Lang, “one of the defining moments of modernist filmmaking” (Film Comment). With Brigitte Bardot, Michel Piccoli, Jack Palance. (103 mins)