Two star-crossed lovers run from an arranged marriage and the police in this delicately naturalistic work. Based on a story by Mykhailo Kotsiubynskyi (Shadows of Forgotten Ancestors).
A teenage schoolgirl’s life is suddenly upended by the death of her grandmother in veteran Senegalese filmmaker Moussa Sene Absa’s powerful look at female rage and empowerment. “Blends universal melodrama with enticing traditional storytelling” (Variety). Screens with Johanna Makabi’s short Grâce.
UC Berkeley graduate students in the Departments of Gender & Women's Studies, History of Art, and Film & Media Studies offer tours of Making Their Mark: Works from the Shah Garg Collection on selected Wednesdays at 12:15 and Sundays at 2:00, and on Free First Thursdays at 1:15.
A cinematic essay in defense of remembering, a primer on Junipero Serra’s Spanish colonization of California and the Mexican–American War, alongside intimate reflections on nostalgia, the pursuit of unavailable women, butch identity, and Alfred Hitchcock’s Vertigo. Screens with 575 Castro St., a haunting remembrance of Harvey Milk.
UC Berkeley graduate students in the Departments of Gender & Women's Studies, History of Art, and Film & Media Studies offer tours of Making Their Mark: Works from the Shah Garg Collection on selected Wednesdays at 12:15 and Sundays at 2:00, and on Free First Thursdays at 1:15.
“Poem of the Sea, which tells of the construction of an artificial sea, necessitating the flooding of a village, is remarkable for its confidence, grandeur and glowing beauty” (Ronald Bergan, Camera Lucida).
Angola’s tragic twenty-five-year-long civil war is given an unexpected retelling in this stunning animated feature film, a remarkable Lusophone African companion to such titles as Waltz with Bashir and Persepolis. “Bold and thrilling storytelling” (Screen International).
A seminal work of the New Queer Cinema and a preemptive strike against the domestication of queer identity, Todd Haynes’s audacious first feature weaves together three stories inspired by Jean Genet, each realized in a radically different cinematic style.
Thomas DePaoli
Introduction
Thomas DePaoli is a PhD candidate in the Department of Film & Media at UC Berkeley.