Week of June 28, 2015

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Sunday, June 28

Sunday, June 28, 2015
5:30 PM

Archival Print! 
Live Music/Judith Rosenberg on piano

Tonight’s concluding chapters unravel the mystery of The Phantom Foe and, through a “veritable carnival of thrills and sensations,” restores some order to Janet Dale’s life.
At Pacific Film Archive Theater
Sunday, June 28, 2015
7:30 PM
John Ford,
United States,
1962,
James Stewart, John Wayne, Vera Miles, and Lee Marvin star in John Ford’s legendary Western, “one of the enduring masterpieces of that cinema which has chosen to focus on the mystical processes of time” (Andrew Sarris).
At Pacific Film Archive Theater

Monday, June 29

Tuesday, June 30

Wednesday, July 1

Wednesday, July 1, 2015
7:30 PM

Archival Print!

A would-be writer whose ambition has been dampened by domestic life is soon tempted by a former flame. “Dominating the picture is the feminine reaction to life. And this is Mr. Stahl’s forte” (LA Times).
At Pacific Film Archive Theater

Thursday, July 2

Thursday, July 2, 2015
7:30 PM

Introduction/Anuj Vaidya

 

A program of recent video art from India, including work from Mumbai, Goa, and New Delhi. Titles include Logic of Birds, Man with Cockerel, Fjaka, Iceboat, Between the Waves, Forerunner, and Night Noon.
At Pacific Film Archive Theater

Friday, July 3

Friday, July 3, 2015
7:00 PM
Tod Browning,
United States,
1927,

Live Music/Judith Rosenberg on piano

 

A circus performer has his arms amputated to satisfy his lover’s strange desires in Tod Browning’s shocking tale of madness and love, starring Lon Chaney and Joan Crawford.
At Pacific Film Archive Theater
Friday, July 3, 2015
8:30 PM
Douglas Sirk,
United States,
1954,
A callow playboy sets out on a path towards redemption after causing a doctor’s death, and blinding the doctor’s widow, in Stahl’s great melodrama. Robert Taylor and Irene Dunne star. Later remade by Douglas Sirk.
At Pacific Film Archive Theater

Saturday, July 4

Saturday, July 4, 2015
7:00 PM
Andrei Tarkovsky,
USSR,
1966,
Andrei Tarkovsky’s epic, otherworldly portrait of the 15th-century Russian icon-painter is “a superproduction gone ideologically berserk” (Village Voice).
At Pacific Film Archive Theater