Sunday, March 27
Sunday, March 27, 2022
1 PM
All ages, Drop-in
Learn the basics of risograph printing with BAMPFA Art Lab facilitator and local artist Alayna Tinney.
Included with admission
Series
Workshops 2022
Sunday, March 27, 2022
11 AM–7 PM
Sunday, March 27, 2022
3 PM
Join the co-organizers of The Artist’s Eye from BAMPFA's curatorial staff for an engaging tour of the exhibition.
Included with admission.
Series
Talks & Conversations 2022
Sunday, March 27, 2022
3 PM
Join us for guided tours of The Artist's Eyeled by BAMPFA curatorial staff and UC Berkeley graduate students.
Sunday, March 27, 2022
Streaming All Day
Chaitanya Tamhane,
India,
2014,
(116 mins)
Available for streaming March 24–27, 2022
An elderly folk singer and grassroots activist is put on trial for causing a worker’s suicide in this devastating, absurdist portrait of injustice, institutional incompetence, and venal politics in contemporary India.
Monday, March 28
Tuesday, March 29
Wednesday, March 30
Wednesday, March 30, 2022
7 PM
Wayne Wang,
United States,
1982,
(80 mins)
Chan Is Missing also screened on Friday, March 11 with Wayne Wang and Oliver S. Wang in conversation.
Touted as the first all Chinese American feature film, Wang’s irreverent, refreshingly authentic movie follows two cab drivers searching San Francisco’s Chinatown for an elusive flimflam man. “A small, whimsical treasure of a film” (Roger Ebert).
Theater capacity is limited for this screening.
Face masks covering nose and mouth (without valves) are required at all times. We strongly recommend that all visitors choose N95, KN95, or surgical masks.
Series
Wayne Wang in Person
Thursday, March 31
Thursday, March 31, 2022
7 PM
Souleymane Cissé,
Mali,
1975,
(88 mins)
New Digital Restoration
Cissé’s recently restored first feature-length film, “the eternal story of a young girl who is raped, becomes pregnant, and is then abandoned[,] is agonizingly sad. . . . [The Young Girl] also represents the emergence of an absolutely singular cinematic composition” (Frédéric Bonnaud, La Biennale di Venezia).
Theater capacity is limited for this screening.
Face masks covering nose and mouth (without valves) are required at all times. We strongly recommend that all visitors choose N95, KN95, or surgical masks.
Series
Souleymane Cissé
Friday, April 1
Friday, April 1, 2022
12:30 PM
This program has been postponed to the fall semester. We apologize for any inconvenience.
BAMPFA Chief Curator Christina Yang and UC Berkeley Professor Lisa Wymore speak about new practices of care and museology as seen through a career arc of interdisciplinary practice and intersectional knowledge making.
POSTPONED
Free and open to the public. Face masks covering nose and mouth (without valves) are required at all times. We strongly recommend that all visitors choose N95, KN95, or surgical masks.
Friday, April 1, 2022
12:30 PM
Drawing on their years of exploration at the intersection of choreography and technology, Bay Area dance companies Smith/Wymore Disappearing Acts (SWDA) and Kinetech Arts collaborated with dancers at UC Berkeley to create two original films.
Theater capacity is limited for this program.
Free and open to the public. Face masks covering nose and mouth (without valves) are required at all times. We strongly recommend that all visitors choose N95, KN95, or surgical masks.
Friday, April 1, 2022
2 PM–7 PM
Friday, April 1, 2022
7 PM
Federico Fellini,
Italy,
1960,
(178 mins)
Digital Restoration
Marcello Mastroianni stars as a jaded reporter drawn to the decadence of Rome in Fellini’s masterpiece, filled with jaw-dropping set pieces of both excess and warmth. “Fellini’s bizarre, extravagant visuals are absolutely riveting” (Time Out).
Theater capacity is limited for this screening.
Face masks covering nose and mouth (without valves) are required at all times. We strongly recommend that all visitors choose N95, KN95, or surgical masks.
Series
Federico Fellini 100
Saturday, April 2
Saturday, April 2, 2022
11 AM–7 PM
Saturday, April 2, 2022
11:15 AM
All ages, Drop-in
Join Art Lab facilitator and local artist Micaela Martinez Saavedra for a series of three peaceful workshops exploring the expressive potential of watercolor.
Series
Workshops 2022-3
Saturday, April 2, 2022
7 PM
Wayne Wang,
United States,
1997,
(87 mins)
Director’s Cut
Jeremy Irons, Gong Li, and Maggie Cheung star in another of Wang’s love letters to Hong Kong, this one made all the more memorable and melancholy by its setting and timeline: 1997, at the end of British rule.
Theater capacity is limited for this screening.
Face masks covering nose and mouth (without valves) are required at all times. We strongly recommend that all visitors choose N95, KN95, or surgical masks.
In Conversation
-
Wayne Wang
-
Oliver S. Wang
Oliver S. Wang is a professor of sociology at CSU Long Beach and writes regularly on popular music and culture. He interviewed Wayne Wang for the latest issue of Film Quarterly.
Series
Wayne Wang in Person
Through July 7
Through July 14
Through September 22
Through April 28
Through May 2
Through May 5
Through May 11
Through July 3
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