In East Asia, a perfect format for artistic journeying is the handscroll, with landscapes or narratives unrolling before our eyes. Three wonderful examples are on view in this iteration of Five Tables: Wang Wen’s sixteenth-century The Eighteen Arhats Crossing the Sea; the seventeenth-century Eight Views of the Xiao and Xiang by Kano Yasunobu; and Michael Cherney’s atmospheric, photographic Yuezhou (Procession of Ships) from 2013–14.