After five hundred years of Portuguese colonial rule, Mozambique was one of the last African countries to gain independence. President Samora Machel’s first cultural act was to establish the National Institute of Cinema, which produced weekly newsreels—Kuxa Kanema—for and about the people. Mobile cinema units reminiscent of Aleksandr Medvedkin’s cine-trains, traveled around the country to engage people with what it means to be free in an independent nation. When filmmaker Margarida Cardoso visited the institute, it was already in ruins, but she discovered newsreel footage in an abandoned building. Interviews with filmmakers who were involved with the institute—including Licínio Azevedo, Jose Cardoso, and Ruy Guerra—and sequences from the newsreels bear witness to the birth of Mozambique’s cinema in concert with the birth of the nation.