Resonance Spiral

Centrifugal movement was an expression once used to describe the tactical and situated beginnings of an anticolonial armed struggle. In a flow of gestures and recurrences, a building is collectively imagined and constructed in the traditional community of the militant filmmaker Sana na N’Hada. Intertwining the local dreams and cine-kins’ visions, Resonance Spiral traverses moments at the newly manufactured community space in Malafo. Old plans for a videoteque are revisited and materialize a mediateca. The women from the Satna Fai association listen to forgotten voices and rest from millennia of abuse. An informal sewing workshop, an experimental garden, a bibliotera, and a preschool take up space. Adolescents voice a circle and sound self-built instruments. At the well a discussion is staged about mud medicine. Cine-kins undermine their agencies and distrust neo-liberal slogans. Hope-hearted, seeking to flip verticalities into horizon lines, the collective slides through what lies ahead. Onshore. Abotcha. Na tchon. Humus, humans, humbled, humiliated by humanity.