BAMPFA’s annual selection of compelling nonfiction films includes the award-winning Palestinian/Israeli documentary No Other Land, as well as films by Dana Claxton, Kevin Jerome Everson, Asmae El Moudir, and Ibrahim Nash’at. With Sergei Loznitsa, Rick Prelinger, Jenni Olson, Elizabeth Ai, Pinar Öğrenci, and Sylvain George in person.
Read full descriptionMade over five years by a collective of Palestinian and Israeli filmmakers, No Other Land chronicles the attempts of the inhabitants of Palestinian villages in the West Bank to resist the destruction of their homes and expropriation of their land by the Israeli military.
Made over five years by a collective of Palestinian and Israeli filmmakers, No Other Land chronicles the attempts of the inhabitants of Palestinian villages in the West Bank to resist the destruction of their homes and expropriation of their land by the Israeli military.
Drawing from and expanding on James Luna’s ISHI: The Archive Performance, Dana Claxton and members of the Ishi Collective interrogate the legacy of colonial museum practices through the tragic story of the last known survivor of the Yahi people.
These two films document contemporary cowboy culture on two continents. Gaucho Gaucho chronicles the everyday life of Argentine cowhands, while Ten Five in the Grass captures the preparations for a calf roping event on the Black rodeo circuit.
The annual Les Blank Lecture is presented by archivist, filmmaker, educator, and curator Rick Prelinger. Prelinger will present excerpts from his Lost Landscapes compilations and discuss the importance of archiving home movies and industrial, educational, and ephemeral films.
Unprecedented and audacious, director Ibrahim Nash’at’s Hollywoodgate spends a year inside Afghanistan following the Taliban as they take possession of the cache of weapons America left behind—and transform from a fundamentalist militia into a heavily armed military regime.
“The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s ‘Years of Lead’—a period of state brutality under Hassan II’s dictatorial rule” (Phuong Le, Guardian).
A cinematic essay in defense of remembering, a primer on Junipero Serra’s Spanish colonization of California and the Mexican–American War, alongside intimate reflections on nostalgia, the pursuit of unavailable women, butch identity, and Alfred Hitchcock’s Vertigo. Screens with 575 Castro St., a haunting remembrance of Harvey Milk.
Elizabeth Ai explores the significance of electronic New Wave music and punk/goth aesthetics for a generation of Vietnamese American youth coming of age in the 1980s and grappling with the weight of their parents’ unspoken traumas.
Free for UC Berkeley students, staff, and faculty
Mosse Lecture by Pinar Öğrenci on tracing histories of displacement in constellation
In cooperation with the symposium Media and Migration in a Digital Age
Pinar Öğrenci explores the complex and brutal history and foreboding geography of her father’s home, Müküs, within the mountainous region in southern Van, on Turkey’s border with Iran.
Free for UC Berkeley students, staff, and faculty
Pinar Öğrenci presents two documentaries exploring the effects of nationalism, war, and migration, one through the history of lokum (Turkish delight) and the other chronicling the living conditions of Turkish guest workers in Kreuzberg, Berlin.
In the Spanish enclave of Melilla, Morocco, a group of youths try to get to Europe. Obscure Night—Goodbye Here, Anywhere focuses on a reality the Western world would rather not see, dissident dreams that transcend geographical boundaries.
Free Admission
Factory showcases Sergei Loznitsa’s approach to nonfiction, working with original camerawork and mining the archives for imagery, with the annual Mosse Lecture.