If this were 1938 and you were on campus at UC Berkeley, you might come across a rather stately student, one Eldred Peck, holding forth on stage. The soft-spoken English major had gently carven features, stood 6'3”, and was hard to miss even in supporting roles in Cal's student-sponsored Little Theater. Few outside of his prescient theater coach would have predicted that Eldred, soon to be Gregory, would surface a few years later as the lead in Jacques Tourneur's Days of Glory and continue with a career that spanned over fifty films. Gregory Peck became a signature actor of the forties and fifties and beyond, an iconic figure like Cary Grant and Gary Cooper. His style was reserved-he seemed stalwart and enduring, his distinctive voice, a rich, honeyed baritone. But within Peck's reserve was an appealing versatility. He could be Lewt, the lusty sibling in Duel in the Sun, or Lt. Joe Clemons, the dogged company commander in Pork Chop Hill. He could be the steadfast Atticus Finch of To Kill a Mockingbird, or Joe Bradley, the reluctant romantic of Roman Holiday. Yet beneath each character ran the deep-flowing integrity of both the actor and the man and his staunch concern for principled filmmaking. Peck was nominated for five Academy Awards, winning once, and was the recipient of the Presidential Medal of Freedom for his commitment to social causes. Join us for eight films with a most agreeable gentleman.