Robert Altman at 100

June 13–August 30, 2025

Presented in collaboration with the UCLA Film & Television Archive, Robert Altman at 100 showcases a selection of his work across five decades, including his 1970s classics The Long Goodbye, McCabe & Mrs. Miller, and Nashville, and later work like Vincent & Theo and Gosford Park.

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  • Robert Altman: 3 Women (1977)

  • Robert Altman: The Long Goodbye (1973)

  • Robert Altman: Short Cuts (1993)

  • Robert Altman: McCabe & Mrs. Miller (1971)

  • Robert Altman: Gosford Park (2001)

  • Robert Altman: Images (1972)

  • Robert Altman: Nashville (1975)

  • Upcoming
    Films
  • Past
    Films
  • Past
    Events

Upcoming Films

  • The Long Goodbye

    Robert Altman
    United States, 1973
    Friday, June 13 7 PM
    Introduction and Post-Screening Discussion with David Thomson

    Updating Raymond Chandler’s noir pulp for the psychedelic 1970s, Leigh Brackett and Robert Altman pitch a bewildered and bereft Philip Marlowe (Elliott Gould) into a murder mystery involving a sun-dried siren (Nina van Pallandt) and her washed-out Ernest Hemingway-esque author husband (Sterling Hayden).

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  • M*A*S*H

    Robert Altman
    United States, 1970

    35mm Archival Print

    Sunday, June 15 7 PM

    Winner of the Palme d’Or at the 1970 Cannes Film Festival, M*A*S*H put Robert Altman on the map. The anti-everything episodic war comedy follows the antics of a trio of surgeons in a Mobile Army Surgical Hospital in Korea.

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  • McCabe & Mrs. Miller

    Robert Altman
    United States, 1971
    Thursday, June 19 7 PM
    Introduction and Post-Screening Discussion with David Thomson

    Far from the open plains of the classic Western, Robert Altman and cinematographer Vilmos Zsigmond created a radical and ravishing vision of the turn-of-the-century Pacific Northwest, capturing the sodden grit of frontier life with impressive authenticity.

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  • 3 Women

    Robert Altman
    United States, 1977
    Sunday, June 22 7 PM
    Introduced by Leila Weefur

    Young Pinky (Sissy Spacek) finds herself in the thrall of her extroverted but unpopular roommate, Millie (Shelley Duvall), in this exploration of identities fractured and fused. “3 Women is a film whose provocative schizophrenia is both gripping and contagious” (Kier-La Janisse).

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  • Short Cuts

    Robert Altman
    United States, 1993

    35mm Archival Print

    Saturday, June 28 6 PM
    Introduction and Post-Screening Discussion with David Thomson

    Short Cuts is a Los Angeles–set, star-studded mosaic of unhappy families in situations that are tragic, comic, and commonplace. “The movie has the intensity of an epic, only its subject matter is everyday life” (Julie Salamon, Wall Street Journal).

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  • Nashville

    Robert Altman
    United States, 1975
    Friday, July 4 5 PM

    As the bicentennial of American independence looms, the titular “Country Music Capital of the World” becomes an unholy soup of politics, art, patriotism, religion, and money—showbiz, America. Buoyed by a cast of dozens, Nashville “is a satire, a comedy, a musical, a melodrama” (Vincent Canby, New York Times).

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  • That Cold Day in the Park

    Robert Altman
    United States, Canada, 1969

    Restored 35mm Archival Print

    Sunday, July 6 7 PM

    In this class-conscious psychosexual thriller, Sandy Dennis plays Frances Austen, a lonely, repressed woman who takes a lonely young man into her home and won’t let go.

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  • Images

    Robert Altman
    United Kingdom, Ireland, United States, 1972
    Sunday, July 13 7 PM

    Susannah York won Best Actress at the Cannes Film Festival for her role (or roles?) as Cathryn, a woman experiencing psychosis on holiday at her country home. “One of the finest psychological thrillers ever made” (Judith Crist, New York Magazine).

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  • The Long Goodbye

    Robert Altman
    United States, 1973
    Wednesday, July 23 7 PM

    Updating Raymond Chandler’s noir pulp for the psychedelic 1970s, Leigh Brackett and Robert Altman pitch a bewildered and bereft Philip Marlowe (Elliott Gould) into a murder mystery involving a sun-dried siren (Nina van Pallandt) and her washed-out Ernest Hemingway-esque author husband (Sterling Hayden).

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  • Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean

    Robert Altman
    United States, 1982

    Restored 35mm Archival Print

    Sunday, July 27 7 PM

    Sandy Dennis, Cher, Karen Black, and Kathy Bates star in Robert Altman’s tale of the members of a James Dean fan club reuniting in a small Texas town.

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  • Gosford Park

    Robert Altman
    United Kingdom, 2001

    35mm Archival Print

    Saturday, August 2 4 PM

    In 1932 the wealthy and their servants descend on the titular English manor for a hunting party that quickly transforms into a comic and biting upstairs-downstairs murder mystery. “A beautifully proportioned work in which 30 fairly well defined characters don’t seem excessive” (Jonathan Rosenbaum, Chicago Reader).

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  • 3 Women

    Robert Altman
    United States, 1977
    Sunday, August 3 6:30 PM

    Young Pinky (Sissy Spacek) finds herself in the thrall of her extroverted but unpopular roommate, Millie (Shelley Duvall), in this exploration of identities fractured and fused. “3 Women is a film whose provocative schizophrenia is both gripping and contagious” (Kier-La Janisse).

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  • The Player

    Robert Altman
    United States, 1992
    Wednesday, August 6 7 PM

    Hollywood hotshot executive Griffin Mill (Tim Robbins) is receiving poison pen postcards in this metatext for film lovers. “With breathtaking assurance, the movie veers from psychological-thriller suspense to goofball comedy to icy satire” (Terrence Rafferty, New Yorker).

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  • Vincent & Theo

    Robert Altman
    Netherlands, United Kingdom, France, Italy, Germany, 1990

    35mm Archival Print

    Sunday, August 10 7 PM

    This unconventional and direct biopic provides a portrait of codependent brothers, artist Vincent and art dealer Theo van Gogh. “The relationship between van Gogh and his brother supplies the canvas for a rumination on life, art and commerce, featuring passionate performances from Tim Roth and Paul Rhys” (Ryan Gilbey, Guardian).

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  • Popeye

    Robert Altman
    United States, 1980

    35mm Archival Print

    Saturday, August 16 4 PM

    Robin Williams is Popeye, with Shelley Duval as Olive Oyl, in Robert Altman’s musical comedy, adapted by Julies Feiffer from the 1930s comic by E. C. Segar. “Shelley Duvall is perfect here as Olive Oyl, the role she was born to play” (Roger Ebert, Chicago Sun-Times).

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  • Nashville

    Robert Altman
    United States, 1975
    Sunday, August 24 6:30 PM

    As the bicentennial of American independence looms, the titular “Country Music Capital of the World” becomes an unholy soup of politics, art, patriotism, religion, and money—showbiz, America. Buoyed by a cast of dozens, Nashville “is a satire, a comedy, a musical, a melodrama” (Vincent Canby, New York Times).

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  • McCabe & Mrs. Miller

    Robert Altman
    United States, 1971
    Saturday, August 30 1 PM

    Far from the open plains of the classic Western, Robert Altman and cinematographer Vilmos Zsigmond created a radical and ravishing vision of the turn-of-the-century Pacific Northwest, capturing the sodden grit of frontier life with impressive authenticity.

    View Details

Past Films