Presented in collaboration with the UCLA Film & Television Archive, Robert Altman at 100 showcases a selection of his work across five decades, including his 1970s classics The Long Goodbye, McCabe & Mrs. Miller, and Nashville, and later work like Vincent & Theo and Gosford Park.
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Repeats Wednesday / 7.23.25 (without introduction)
Updating Raymond Chandler’s noir pulp for the psychedelic 1970s, Leigh Brackett and Robert Altman pitch a bewildered and bereft Philip Marlowe (Elliott Gould) into a murder mystery involving a sun-dried siren (Nina van Pallandt) and her washed-out Ernest Hemingway-esque author husband (Sterling Hayden).
35mm Archival Print
Winner of the Palme d’Or at the 1970 Cannes Film Festival, M*A*S*H put Robert Altman on the map. The anti-everything episodic war comedy follows the antics of a trio of surgeons in a Mobile Army Surgical Hospital in Korea.
4K Digital Restoration
Repeats Saturday / 8.30.25 (without introduction)
Far from the open plains of the classic Western, Robert Altman and cinematographer Vilmos Zsigmond created a radical and ravishing vision of the turn-of-the-century Pacific Northwest, capturing the sodden grit of frontier life with impressive authenticity.
Young Pinky (Sissy Spacek) finds herself in the thrall of her extroverted but unpopular roommate, Millie (Shelley Duvall), in this exploration of identities fractured and fused. “3 Women is a film whose provocative schizophrenia is both gripping and contagious” (Kier-La Janisse).
35mm Archival Print
Short Cuts is a Los Angeles–set, star-studded mosaic of unhappy families in situations that are tragic, comic, and commonplace. “The movie has the intensity of an epic, only its subject matter is everyday life” (Julie Salamon, Wall Street Journal).
As the bicentennial of American independence looms, the titular “Country Music Capital of the World” becomes an unholy soup of politics, art, patriotism, religion, and money—showbiz, America. Buoyed by a cast of dozens, Nashville “is a satire, a comedy, a musical, a melodrama” (Vincent Canby, New York Times).
Restored 35mm Archival Print
In this class-conscious psychosexual thriller, Sandy Dennis plays Frances Austen, a lonely, repressed woman who takes a lonely young man into her home and won’t let go.
Susannah York won Best Actress at the Cannes Film Festival for her role (or roles?) as Cathryn, a woman experiencing psychosis on holiday at her country home. “One of the finest psychological thrillers ever made” (Judith Crist, New York Magazine).
35mm Archival Print
Also screens Friday / 6.13.25 (with introduction)
Updating Raymond Chandler’s noir pulp for the psychedelic 1970s, Leigh Brackett and Robert Altman pitch a bewildered and bereft Philip Marlowe (Elliott Gould) into a murder mystery involving a sun-dried siren (Nina van Pallandt) and her washed-out Ernest Hemingway-esque author husband (Sterling Hayden).
Restored 35mm Archival Print
Sandy Dennis, Cher, Karen Black, and Kathy Bates star in Robert Altman’s tale of the members of a James Dean fan club reuniting in a small Texas town.
35mm Archival Print
In 1932 the wealthy and their servants descend on the titular English manor for a hunting party that quickly transforms into a comic and biting upstairs-downstairs murder mystery. “A beautifully proportioned work in which 30 fairly well defined characters don’t seem excessive” (Jonathan Rosenbaum, Chicago Reader).
Young Pinky (Sissy Spacek) finds herself in the thrall of her extroverted but unpopular roommate, Millie (Shelley Duvall), in this exploration of identities fractured and fused. “3 Women is a film whose provocative schizophrenia is both gripping and contagious” (Kier-La Janisse).
Hollywood hotshot executive Griffin Mill (Tim Robbins) is receiving poison pen postcards in this metatext for film lovers. “With breathtaking assurance, the movie veers from psychological-thriller suspense to goofball comedy to icy satire” (Terrence Rafferty, New Yorker).
35mm Archival Print
This unconventional and direct biopic provides a portrait of codependent brothers, artist Vincent and art dealer Theo van Gogh. “The relationship between van Gogh and his brother supplies the canvas for a rumination on life, art and commerce, featuring passionate performances from Tim Roth and Paul Rhys” (Ryan Gilbey, Guardian).
35mm Archival Print
Robin Williams is Popeye, with Shelley Duval as Olive Oyl, in Robert Altman’s musical comedy, adapted by Julies Feiffer from the 1930s comic by E. C. Segar. “Shelley Duvall is perfect here as Olive Oyl, the role she was born to play” (Roger Ebert, Chicago Sun-Times).
As the bicentennial of American independence looms, the titular “Country Music Capital of the World” becomes an unholy soup of politics, art, patriotism, religion, and money—showbiz, America. Buoyed by a cast of dozens, Nashville “is a satire, a comedy, a musical, a melodrama” (Vincent Canby, New York Times).
4K Digital Restoration
Also screens Thursday / 6.19.25 (with introduction)
Far from the open plains of the classic Western, Robert Altman and cinematographer Vilmos Zsigmond created a radical and ravishing vision of the turn-of-the-century Pacific Northwest, capturing the sodden grit of frontier life with impressive authenticity.