Sara Dosa (U.S., 2014). This sensitive, probing documentary examines the bond between two mushroom hunters in Oregon, an elderly Vietnam vet and a survivor of the Khmer Rouge, during one unusually hard season. (79 mins)

Joaquim Pinto (Portugal, 2013). Pinto poetically, dynamically, and candidly chronicles a year of his life as he undergoes experimental treatment for HIV and VHC infections in this epic yet personal documentary. (164 mins)

Eleven experimental films reflect on the past, illuminate the present, and imagine the future. Works by Basma Alsharif, Bruce Baillie, Paul Clipson, Martha Colburn, Su Friedrich, Jim Jennings, Lawrence Jordan, Lewis Klahr, Janis Crystal Lipzin, Charlotte Pryce, and John Smith. (80 mins)

Levan Koguashvili (Georgia, 2013). Single and forty, Sandro hopes to find love with a hairdresser, but there's a catch: her husband is getting out of prison. This low-key, comic gem is a wonderful introduction to the Georgian New Wave. (95 mins)

Corneliu Porumboiu (Romania/France, 2013). Continuing his very particular parsing of language and politics-here, the politics are cinematic-Porumboiu tells the story of a film director rehearsing the details of a nude scene with his lead actress. (89 mins)

Roberto Minervini (U.S./Belgium/Italy, 2013). This unique hybrid of documentary and narrative offers an evocative portrait of the quotidian lives of a devout young Christian goat farmer and a bull-riding cowboy in Texas's rural Bible belt. (100 mins)

Mike Fleiss (U.S., 2014). Bob Weir, “the other one,” steps out of Grateful Dead bandmate Jerry Garcia's shadow and into the spotlight in this expansive documentary filled with performance footage, home movies, and reminiscences. (90 mins)

Hirokazu Kore-eda (Japan, 1999). Lecture by Emily Carpenter. Welcome to the afterlife of Kore-eda's remarkable film, where a busy crew of angels reenacts the favorite memories of the recently deceased. Entwining documentary and reality, After Life is, as Kore-eda states, "a film about memory, and also a film about what it means to make films." (115 mins)

Tsai Ming-liang (Taiwan/France, 2013). A poverty-stricken father and his two young children try to survive in modern-day Taipei in this often mysterious work, yet another remarkable piece of cinema from the great Tsai. (138 mins)

Robin Campillo (France, 2013). This erotically charged nail-biter takes the audience on an unexpected ride when a fiftysomething Parisian businessman propositions an eastern European immigrant hustler. (128 mins)

Zeresenay Berhane Mehari (Ethiopia, 2014). In a contemporary Ethiopian village, a fourteen-year-old girl is abducted in an attempt at forced marriage. Her effort to free herself sets off a legal firestorm in this powerful drama inspired by a true story. (96 mins)

Manolo Nieto (Uruguay/Argentina, 2013). A student leader fighting against the bosses of striking packinghouse workers in crisis-ridden 2002 Uruguay experiences a coming-of-age crisis when he inherits his father's ranch. (121 mins)

Thomas Balmès (France/Finland, 2013). A nine-year-old boy living at a monastery in the mountains of Bhutan gets a glimpse of television and the modern world, opening his eyes to a complicated future, in this eloquently photographed documentary. (80 mins)

Bob Fosse (U.S., 1979). Digital Restoration. Roy Scheider stands in for writer/director Bob Fosse in Fosse's dazzling, self-lacerating, and clearly autobiographical musical, a Best Picture nominee about a celebrated choreographer/director. (123 mins)

Lav Diaz (Philippines, 2013). Art-house favorite Lav Diaz's latest epic profoundly explores everything from the state of the present-day rural Philippines by way of Dostoevsky to the 1890s Philippine Revolution against the Spanish. (250 mins)

Luc Schaedler (Switzerland, 2013). Attentively observing life on a parched farm, a grim industrial zone, a rural village, and a booming megacity, this documentary expressively reveals the upheaval and uncertainty of a rapidly changing China. (80 mins)

Allison Berg, Frank Keraudren (U.S., 2013). John Wojtowicz, whose ill-fated 1972 robbery of a Brooklyn bank to pay for his transgender bride's sex-change operation inspired Dog Day Afternoon, recalls the heist and his years as a gay rights activist. (100 mins)