“An entertaining inside look at the obituary writers of The New York Times. . . . [This] doc makes a strong case for the well-wrought obituary as something of an art form” (Film Journal International).
A young woman is gaslighted by her scheming in-laws after trying to leave her mentally unstable husband in Chabrol’s powerful noir. “Chabrol’s most audacious experiment with narrative form—a modernist reworking of the melodrama” (Dave Kehr).
An “ordinary” housewife navigates a working-class suburban life of deadbeat husbands, mad mothers-in-law, sex-worker neighbors, and child pandering in Almodóvar’s taboo-smashing send-up of the social realist drama. “An absolutely wonderful black comedy” (New York Times).
Teshigahara’s study of the visionary Catalan architect’s work, scored by the great Toru Takemitsu. “A masterpiece of visual poetry and aesthetic rumination” (Time Out New York).
Cynthia Nixon portrays the poet Emily Dickinson in this “absolute drop-dead masterwork” (Richard Brody) that imbues the structure of the biopic with the elliptical intensity of poetry.
Winner of the 1999 Cannes Best Director prize, this affectionate drama of a mother’s compassion serves as Almodóvar’s tribute to his two greatest inspirations: women and film.