Shot over a period of years both before and after Haiti’s deadly 2010 earthquake, this vibrant documentary testifies to the role of music in creating community and sustaining hope under the most difficult of circumstances.
Foer, a staff writer for the Atlantic, exposes the dark underpinnings of our most idealistic dreams for technology. Wired editor Nicholas Thompson joins him in conversation.
UC Berkeley’s associate vice chancellor for arts and design and the associate director of Cal Performances discuss issues of curation in the performing arts.
Abigail Child presents her most recent film, a dazzling collage portrait of Emma Goldman, preceded by works made by Canyon members George Kuchar, Mike Henderson, and Henry Hills between 1970 and 1981.
Bette Davis delivers what James Baldwin called a “ruthlessly accurate” portrayal of a spoiled, amoral Southern girl who blames her black chauffeur for a fatal accident in this little-seen social drama from John Huston.
Damon Young
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Damon Young is an assistant professor of French and film & media at UC Berkeley.
The director of The Bicycle Thief shows off his comic side in this hilarious sendup of Italy’s early 1960s economic miracle, starring the great Italian comic Alberto Sordi and finally released theatrically in the US after over fifty years.
Robert Redford escapes from prison and finds his hometown sheriff (Marlon Brando) lying in wait. Jane Fonda and Angie Dickinson costar in a lusty, gripping melodrama about small-town Texas crude.
This panel offers an appreciation of the influential photographer Gordon Parks and a critical examination of the processes that shaped his first Life magazine photo-essay. With Makeda Best, Tina Sacks, and Ken Light; moderated by Leigh Raiford.
Shot over a period of years both before and after Haiti’s deadly 2010 earthquake, this vibrant documentary testifies to the role of music in creating community and sustaining hope under the most difficult of circumstances.
With a visual panache often compared to Ophuls, Antonioni, and Welles, Fei Mu’s 1948 gem possesses a melancholy beauty all its own. Voted the best Chinese film of all time in a Chinese critics’ poll.
Andrew F. Jones
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Andrew F. Jones is a UC Berkeley professor who teaches modern Chinese literature and media culture.