Sunday, August 19
Sunday, August 19, 2018
11 AM–7 PM
Sunday, August 19, 2018
3 PM
Ingmar Bergman,
Sweden,
1964,
(80 mins)
Set in the classical music world, Bergman’s first film in color is a satire about pompous men and the women (Bibi Andersson, Harriet Andersson, and Eva Dahlbeck) who stroke men’s vanity while getting just what they want from them.
Screening in Theater 2; regular film ticket prices apply
Sunday, August 19, 2018
4:30 PM
Alain Tanner,
Portugal, Switzerland,
1983,
(108 mins)
One of the key works of eighties European cinema, and one of the great city films, Tanner’s poem/film in praise of solitude and the flâneur tracks a disaffected sailor (Bruno Ganz) wandering the streets of Lisbon.
Sunday, August 19, 2018
7 PM
Michelangelo Antonioni,
France, Italy,
1982,
(128 mins)
Imported Print
In 1982, Antonioni returned to the themes of his great 1960s films—alienation and ennui among the well-to-do—for this enigmatic, erotic work. “A brilliant, glittering piece of filmmaking . . . stunningly beautiful” (Sight & Sound).
Series
Michelangelo Antonioni
Monday, August 20
Tuesday, August 21
Wednesday, August 22
Wednesday, August 22, 2018
12:15 PM
Explore the works on view in Way Bay 2 with tours led by UC Berkeley graduate students.
Included with admission
Series
Guided Tours 2018
Wednesday, August 22, 2018
7 PM
Michelangelo Antonioni,
France, Italy,
1960,
(140 mins)
Imported Print
Monica Vitti on a desert island in “a mystery that casually abandons its ostensible premise midway through. . . . Cinema as temporal sculpture” (Village Voice). “The first (and the definitive) film about the diminishing attention span of a modern world” (New York Times).
Series
Michelangelo Antonioni
Thursday, August 23
Thursday, August 23, 2018
4 PM–7 PM
Thursday, August 23, 2018
7 PM
Andrei Tarkovsky,
USSR,
1979,
(163 mins)
BAMPFA Student Committee Pick!
A writer, a scientist, and their “stalker” guide venture into a mysterious wasteland known as the Zone. “A dense, complex, often contradictory, and endlessly pliable allegory about human consciousness” (Slant).
Friday, August 24
Friday, August 24, 2018
4 PM–9 PM
Friday, August 24, 2018
6:30 PM
Jacques Becker,
France,
1960,
(131 mins)
A group of convicts attempts an escape in Becker’s last film, one of the great prison-break movies and, for Jean-Pierre Melville, “the greatest French film of all time.”
Series
Jacques Becker
Friday, August 24, 2018
8:45 PM
Michelangelo Antonioni, Wim Wenders,
France, Germany, Italy,
1995,
(104 mins)
Imported Print
This late work is a resolutely idiosyncratic treatise on that most old-fashioned of themes: beauty. With John Malkovich, Marcello Mastroianni, Jeanne Moreau, Irène Jacob, Peter Weller, and Jean Reno. “One of the major films of the decade” (Film Comment).
Series
Michelangelo Antonioni
Saturday, August 25
Saturday, August 25, 2018
11 AM–9 PM
Saturday, August 25, 2018
3:30 PM
Nora Twomey,
Canada, Ireland, Luxembourg,
2017,
(94 mins)
Recommended for ages 11 & up
This beautifully animated feature-length drama is set in Afghanistan, circa 2001, where an eleven-year-old girl is forced to pretend she is a boy after her father is wrongfully imprisoned by the Taliban.
Saturday, August 25, 2018
5:30 PM
Michelangelo Antonioni,
France, Italy,
1961,
(122 mins)
Digital Restoration
BAMPFA Student Committee Pick!
Film to Table dinner follows the August 25 screening
Novelist Marcello Mastroianni and his wife Jeanne Moreau play out a drama of marital disillusionment against Antonioni’s rigorous sense of place and architecture.
Series
Michelangelo Antonioni
Saturday, August 25, 2018
7:45 PM
Join fellow cinephiles at our table for dinner and discussion following this 1961 film by Antonioni, in which novelist Marcello Mastroianni and his wife Jeanne Moreau play out a drama of marital disillusionment.
At Babette
$75 per person. Film and dinner tickets must be purchased separately. Call Babette at (510) 684-3046 with questions.
Saturday, August 25, 2018
8 PM
Andrei Tarkovsky,
USSR,
1983,
(125 mins)
Tarkovsky’s breathtaking journey through the ruined but magical spaces of Tuscany follows a Russian man who feels the longing for home, closure, and the absolute that the film’s title describes. “Not so much a movie as a place to inhabit for two hours” (J. Hoberman).
Through July 7
Through July 14
Through September 22
Through May 2
Through May 5
Through May 11
Through July 3
© 2022 The Regents of the University of California, all rights reserved