Week of January 22, 2023

Options
Reset

Sunday, January 22

Sunday, January 22, 2023
11 AM–7 PM

Drop-In Art Making

Sunday, January 22, 2023
2 PM
Graduate students —Claire Chun and Patricia de Nobrega-Gomes—offer tours of  by Alison Knowles on Wednesdays at 12:15 PM and Sundays at 2:00 PM.

Included with admission

Sunday, January 22, 2023
4 PM
John Huston,
United States,
1987,
(83 mins)
Adapted from the final story in James Joyce’s Dubliners, John Huston’s The Dead considers the passage of time, morality, and shared and divergent relationships amongst the guests at an Epiphany party on a snowy Dublin evening. 

BAMPFA’s second-feature discount does not apply to these programs.

  • Joel Coen
    Introduction
Google Calendar
ICS
Sunday, January 22, 2023
7 PM
Joel Coen, Ethan Coen,
United States,
2013,
(105 mins)
In New York City in 1961, on the cusp of the efflorescence of the American folk scene, Llewyn Davis (Oscar Isaac) navigates the chilly metropolis in search of a gig, a handout, and/or place to sleep, accompanied on his picaresque journey by an aptly named cat.

Special Admission

General: $15

BAMPFA members: $11

UC Berkeley students: $7

UC Berkeley faculty and staff, non-UC Berkeley students, disabled persons, ages 65+ and 18 & under: $12

BAMPFA’s second-feature discount does not apply to these programs.

In Conversation
  • Joel Coen
  • Timothy Hampton
    Timothy Hampton holds the Aldo Scaglione and Marie M. Burns Distinguished Professorship and is former director of the Townsend Center for the Humanities at UC Berkeley.
Google Calendar
ICS

Monday, January 23

Tuesday, January 24

Wednesday, January 25

Wednesday, January 25, 2023
12:15 PM
Graduate students —Claire Chun and Patricia de Nobrega-Gomes—offer tours of  by Alison Knowles on Wednesdays at 12:15 PM and Sundays at 2:00 PM.

Included with admission

Wednesday, January 25, 2023
5:30 PM
Artists and guest cocurators of Frank Moore / MATRIX 280, Vincent Fecteau and Keith Wilson discuss the role of Moore’s painting within his expansive body of creative, spiritual, and performance work.

Included with admission

Wednesday, January 25, 2023
7 PM
Raimondas Vabalas,
Lithuania, USSR,
1965,
(94 mins)

Digital Restoration

A Baltic Duck Soup about the dispute between two nations over a desert borderland, this ambitious, playful film makes colorful fun of fascists and imperialists, patriotism and dogmatism, in a burst of creative satire made the same year as Dr. Strangelove. With Jan Švankmajer’s The Garden.

Thursday, January 26

Thursday, January 26, 2023
12 PM
When does video become art? Looking at examples of the long, and perhaps parallel, histories of cinema and video art, Greg Niemeyer discusses how we can distinguish these two art forms, why it matters, and how video art is different from the reels, clips, and snippets of social media.

Free and open to the public

Thursday, January 26, 2023
7 PM
James Blue,
France,
1962,
(81 mins)

Digital Restoration

Blue tells a powerful story of common people living and struggling in their daily lives, while providing a valuable testimony to the complexity of the Algerian struggle for independence. “A neorealist take on the Algerian War made with nonprofessional actors is newly restored and still resonates today” (J. Hoberman, New York Times).

Friday, January 27

Friday, January 27, 2023
2 PM–7 PM

Drop-In Art Making

Friday, January 27, 2023
7 PM
Péter Bacsó,
Hungary,
1969,
(110 mins)

Digital Restoration

A bumbling protagonist fails at a series of assignments before finally showing defiance in this recently restored Hungarian classic, whose acerbic humor and political critique made it renowned in the Soviet bloc. “As broadly entertaining as it is bold” (New York Times).

Saturday, January 28

Saturday, January 28, 2023
11 AM–7 PM

Drop-In Art Making

Saturday, January 28, 2023
1:30 PM

This event is copresented by The Magnes Collection of Jewish Art and Life.

Included with admission

Saturday, January 28, 2023
3:30 PM
Jacques Becker,
France,
1960,
(132 mins)
A group of convicts attempts an escape in Becker’s last film, one of the great prison-break movies and, for Jean-Pierre Melville, “the greatest French film of all time.”

BAMPFA’s second-feature discount does not apply to these programs.

  • Joel Coen
    Introduction
Google Calendar
ICS
Saturday, January 28, 2023
7 PM
Joel Coen, Ethan Coen,
United States,
1990,
(113 mins)

Director’s Cut

Replete with crackling dialogue in fluent gangster-ese, elegant production design, and affecting performances, Miller’s Crossing—a Prohibition-era period piece conjured from Dashiell Hammett’s influential novels The Glass Key and Red Harvest—is classic Coen and quintessential Hammett. “An intoxicating achievement in cinematic chemistry” (Christopher Orr, Atlantic).

Special Admission

General: $15

BAMPFA members: $11

UC Berkeley students: $7

UC Berkeley faculty and staff, non-UC Berkeley students, disabled persons, ages 65+ and 18 & under: $12

BAMPFA’s second-feature discount does not apply to these programs.

In Conversation
  • Joel Coen
  • Mark Danner
    Mark Danner has written about war and politics for three decades for The New Yorker, The New York Review of Books, and other publications and is the author of The Massacre at El Mozote and five other
Google Calendar
ICS