January 2023

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    7 PM
    Thursday, January 12, 2023
    7 PM
    Tadeusz Chmielewski,
    Poland,
    1971,
    (114 mins)

    Digital Restoration

    This lighthearted comedy turns a dysfunctional Warsaw into a slapstick playground worthy of Jacques Tati, balancing criticism and lyricism in its portrait of the forgotten details of daily life in a socialist state. With Roman Polanski’s Two Men and a Wardrobe.
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    Friday, January 13, 2023
    7 PM
    Seijun Suzuki,
    Japan,
    1977,
    (91 mins)

    Imported 35mm Print

    Pointedly critical of the homogenizing effects of television and consumerist, bourgeois, suburban existence, A Tale of Sorrow and Sadness focuses on Reiko, a pretty, young golfer who is selected by textile executives to be the new face of their brand. Listed as thirteenth on Kinema Junpo’s “Best Films of 1977.”
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    4:30 PM
    • Film
    • In-Person
    Saturday, January 14, 2023
    4:30 PM
    (66 mins)
    This program explores the vast richness of inner and outer landscapes through home movies, educational films, and experimental animation.
    In Conversation
    • Adrianne Finelli
      Adrianne Finelli is an artist and curator and the media technology specialist in the Department of Film and Media at UC Berkeley.
    • Jon Shibata
      Jon Shibata is BAMPFA’s film archivist.
    • Pamela Vadakan
      Pamela Vadakan is the director of California Revealed, a California State Library initiative that helps cultural heritage organizations digitize, preserve, and provide online access to materials docum
    Saturday, January 14, 2023
    7 PM
    Pavel Juráček,
    Czech Republic, Czechoslovakia,
    1969,
    (102 mins)

    Digital Restoration

    Juráček imaginatively adapted part of Gulliver’s Travels into a sci-fi journey through socialist Czechoslovakia. The film’s allusions to uncomfortable truths caused it to be “banned forever.”
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    Sunday, January 15, 2023
    4:30 PM
    (80 mins)
    This program features animated shorts created by the Shanghai Animation Film Studio that feature painting and folk art that link screen with scroll. The screen becomes a site for the painterly projection of dreams, nightmares, and fantasies.  
    Introduction
    • Julia Irwin
      Julia Irwin is a PhD candidate in the Department of Film and Media at UC Berkeley.
    • Linda C. Zhang
      Linda C. Zhang is an assistant professor of film in the Art & Media Studies program at Fulbright University Vietnam.
    7 PM
    • Film
    Sunday, January 15, 2023
    7 PM
    Seijun Suzuki,
    Japan,
    1981,
    (140 mins)

    Imported 35mm Print

    Reality, fantasy, life, and afterlife blend together in Kagero-za—most spectacularly in the grand finale, in which the protagonist, Matsuzaki, finds his life morphing into a deranged theatrical extravaganza. “May well be Suzuki’s finest achievement outside the constraints of genre filmmaking” (Tony Rayns).
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    Wednesday, January 18, 2023
    7 PM
    Mohammed Lakhdar-Hamina,
    Algeria,
    1975,
    (177 mins)

    Digital Restoration

    An Algerian farmer lives through drought, colonial injustice, and the dawn of independence in this astounding combination of African revolutionary fervor, Bollywood-style pulp, and Cinemascope beauty. “The most magnificent film to ever come from the Third World” (Albert Johnson).
    • Soraya Tlatli
      Introduction
      Soraya Tlatli is associate professor, Department of French, UC Berkeley, and a specialist on Francophone literature from North Africa, as well as colonial and postcolonial historiography.
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    Thursday, January 19, 2023
    7 PM
    Gillo Pontecorvo,
    Italy,
    1966,
    (121 mins)
    One of the best films on revolution ever made, Pontecorvo’s agit-prop classic concerns Algeria’s struggle for independence against its French overlords. “A masterpiece! Surely the most harrowing political epic ever” (New Yorker).
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    Friday, January 20, 2023
    7 PM
    Peter Solan,
    Czechoslovakia, Slovakia,
    1964,
    (92 mins)

    Digital Restoration

    A humble triangle player in a city orchestra unexpectedly winds up its party director and, engorged with a taste of power, soon becomes a tyrant in Slovak director Solan’s droll send-up of authority and hypocrisy.
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    3 PM
    • Film
    • In-Person
    • Performance
    Saturday, January 21, 2023
    3 PM
    F. W. Murnau,
    United States,
    1927,
    (95 mins)

    Restored 35mm Print

    Murnau handpicked Janet Gaynor to star in his first Hollywood feature. A masterpiece of silent cinema widely considered among the greatest films ever made, Sunrise tells an elemental tale with virtuosic visual invention.

    BAMPFA’s second-feature discount does not apply to these programs.

    • Joel Coen
      Introduction
    • Judith Rosenberg
      On Piano
    Google Calendar
    ICS
    7 PM
    • Film
    • In-Person
    Saturday, January 21, 2023
    7 PM
    Joel Coen,
    United States,
    2021,
    (105 mins)
    Starring Denzel Washington and Frances McDormand, Joel Coen’s adaptation of William Shakespeare’s cursed tragedy is attentive to the power of its language while being profoundly cinematic, rendering a fog-shrouded, haunted place where fate and ambition collide. 

    Special Admission

    General: $15

    BAMPFA members: $11

    UC Berkeley students: $7

    UC Berkeley faculty and staff, non-UC Berkeley students, disabled persons, ages 65+ and 18 & under: $12

    BAMPFA’s second-feature discount does not apply to these programs.

    In Conversation
    • Joel Coen
    • Frances McDormand
    • Eileen Jones
      Eileen Jones is a film critic at Jacobin magazine and taught film for many years at UC Berkeley. She is the author of Filmsuck, USA and has a podcast called Filmsuck.
    Google Calendar
    ICS
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    4 PM
    • Film
    • In-Person
    Sunday, January 22, 2023
    4 PM
    John Huston,
    United States,
    1987,
    (83 mins)
    Adapted from the final story in James Joyce’s Dubliners, John Huston’s The Dead considers the passage of time, morality, and shared and divergent relationships amongst the guests at an Epiphany party on a snowy Dublin evening. 

    BAMPFA’s second-feature discount does not apply to these programs.

    • Joel Coen
      Introduction
    Google Calendar
    ICS
    7 PM
    • Film
    • In-Person
    Sunday, January 22, 2023
    7 PM
    Joel Coen, Ethan Coen,
    United States,
    2013,
    (105 mins)
    In New York City in 1961, on the cusp of the efflorescence of the American folk scene, Llewyn Davis (Oscar Isaac) navigates the chilly metropolis in search of a gig, a handout, and/or place to sleep, accompanied on his picaresque journey by an aptly named cat.

    Special Admission

    General: $15

    BAMPFA members: $11

    UC Berkeley students: $7

    UC Berkeley faculty and staff, non-UC Berkeley students, disabled persons, ages 65+ and 18 & under: $12

    BAMPFA’s second-feature discount does not apply to these programs.

    In Conversation
    • Joel Coen
    • Timothy Hampton
      Timothy Hampton holds the Aldo Scaglione and Marie M. Burns Distinguished Professorship and is former director of the Townsend Center for the Humanities at UC Berkeley.
    Google Calendar
    ICS
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    Wednesday, January 25, 2023
    7 PM
    Raimondas Vabalas,
    Lithuania, USSR,
    1965,
    (94 mins)

    Digital Restoration

    A Baltic Duck Soup about the dispute between two nations over a desert borderland, this ambitious, playful film makes colorful fun of fascists and imperialists, patriotism and dogmatism, in a burst of creative satire made the same year as Dr. Strangelove. With Jan Švankmajer’s The Garden.
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    Thursday, January 26, 2023
    7 PM
    James Blue,
    France,
    1962,
    (81 mins)

    Digital Restoration

    Blue tells a powerful story of common people living and struggling in their daily lives, while providing a valuable testimony to the complexity of the Algerian struggle for independence. “A neorealist take on the Algerian War made with nonprofessional actors is newly restored and still resonates today” (J. Hoberman, New York Times).
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    7 PM
    Friday, January 27, 2023
    7 PM
    Péter Bacsó,
    Hungary,
    1969,
    (110 mins)

    Digital Restoration

    A bumbling protagonist fails at a series of assignments before finally showing defiance in this recently restored Hungarian classic, whose acerbic humor and political critique made it renowned in the Soviet bloc. “As broadly entertaining as it is bold” (New York Times).
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    3:30 PM
    • Film
    • In-Person
    Saturday, January 28, 2023
    3:30 PM
    Jacques Becker,
    France,
    1960,
    (132 mins)
    A group of convicts attempts an escape in Becker’s last film, one of the great prison-break movies and, for Jean-Pierre Melville, “the greatest French film of all time.”

    BAMPFA’s second-feature discount does not apply to these programs.

    • Joel Coen
      Introduction
    Google Calendar
    ICS
    7 PM
    • Film
    • In-Person
    Saturday, January 28, 2023
    7 PM
    Joel Coen, Ethan Coen,
    United States,
    1990,
    (113 mins)

    Director’s Cut

    Replete with crackling dialogue in fluent gangster-ese, elegant production design, and affecting performances, Miller’s Crossing—a Prohibition-era period piece conjured from Dashiell Hammett’s influential novels The Glass Key and Red Harvest—is classic Coen and quintessential Hammett. “An intoxicating achievement in cinematic chemistry” (Christopher Orr, Atlantic).

    Special Admission

    General: $15

    BAMPFA members: $11

    UC Berkeley students: $7

    UC Berkeley faculty and staff, non-UC Berkeley students, disabled persons, ages 65+ and 18 & under: $12

    BAMPFA’s second-feature discount does not apply to these programs.

    In Conversation
    • Joel Coen
    • Mark Danner
      Mark Danner has written about war and politics for three decades for The New Yorker, The New York Review of Books, and other publications and is the author of The Massacre at El Mozote and five other
    Google Calendar
    ICS
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    4 PM
    • Film
    • In-Person
    Sunday, January 29, 2023
    4 PM
    Robert Bresson,
    France,
    1956,
    (97 mins)
    From the true account of a Resistance leader who escaped from a Nazi prison just before he was to be executed, Bresson created a film where the drama is all internal. “Essential viewing” (Jonathan Rosenbaum).

    BAMPFA’s second-feature discount does not apply to these programs.

    • Joel Coen
      Introduction
    Google Calendar
    ICS
    7 PM
    • Film
    • In-Person
    Sunday, January 29, 2023
    7 PM
    Joel Coen, Ethan Coen,
    United States,
    2009,
    (106 mins)
    Via the existential, moral, and romantic crises of physics professor and family man Larry Gopnik (Michael Stuhlbarg), A Serious Man ponders the limits of human agency, reason, faith, and the meaning of life in the face of an impassive, chaotic universe.

    Special Admission

    General: $15

    BAMPFA members: $11

    UC Berkeley students: $7

    UC Berkeley faculty and staff, non-UC Berkeley students, disabled persons, ages 65+ and 18 & under: $12

    BAMPFA’s second-feature discount does not apply to these programs.

    In Conversation
    • Joel Coen
    • Eric Karpeles
      Painter and writer Eric Karpeles explores the relationship between visual and verbal culture in such books as Paintings in Proust and Almost Nothing: The 20th Century Art and Life of Józef Czapski.
    Google Calendar
    ICS
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    6:30 PM
    • Film
    • In-Person
    Monday, January 30, 2023
    6:30 PM
    Sarah Polley,
    United States,
    2022,
    (104 mins)
    Graced with an extraordinary cast, Polley’s thoughtfully executed adaptation of Miriam Toews’s best-selling novel chronicles a radical “act of female imagination” to consider the healing power of language and what is required to escape systematic criminal abuse in an isolated religious community. 
    In Conversation
    • Frances McDormand
      Frances McDormand is a producer and member of the cast of Women Talking.
    • Stephanie E. Jones-Rogers
      Stephanie E. Jones-Rogers is an associate professor of History at UC Berkeley, where she specializes in African American history, women’s and gender history, and the history of American slavery.
    • Naima Karczmar
      Naima Karczmar is a PhD candidate in English and Critical Theory at UC Berkeley, where she works on racial epistemologies of the eighteenth and nineteenth centuries.
    Google Calendar
    ICS
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    Wednesday, February 1, 2023
    7 PM
    (133 mins)
    In this selection of documentary and ethnographic films, women filmmakers from Lebanon, Senegal, Tanzania, and the United States employ different stylistic approaches and modes of address to depict women’s experience and work.
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    Thursday, February 2, 2023
    7 PM
    Isaac Julien,
    United Kingdom,
    1995,
    (70 mins)
    Combining archival footage, interviews with experts, and stark depictions of the Algerian revolution from The Battle of Algiers with dramatized tableaux to extend theorist Frantz Fanon’s challenge to people of all races, director Julien creates an intellectually provocative portrait of Fanon.
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    6:30 PM
    • Film
    • In-Person
    Friday, February 3, 2023
    6:30 PM
    Hong Sangsoo,
    South Korea,
    2010,
    (80 mins)
    A film school provides the appropriate landscape for this caustic look at cinema, relationships, and points of view. A “casually brilliant feat of storytelling, akin to an ingeniously wrought suite of literary short fiction” (New York Times).
    • Dennis Lim
      Introduction
      Dennis Lim is a film curator, teacher, and writer. He is currently the artistic director of the New York Film Festival and was director of programming at Film at Lincoln Center from 2013 to 2022.
    8:30 PM
    • Film
    • In-Person
    Friday, February 3, 2023
    8:30 PM
    Hong Sangsoo,
    South Korea,
    2005,
    (89 mins)

    BAMPFA Student Committee Pick

    A film on two impromptu lovers and their suicide pact turns into another film entirely in Hong’s early deconstruction of narrative, reality, and cinema. “One of the filmmaker’s major touchstones” (New Yorker).
    • Dennis Lim
      Introduction
      Dennis Lim is a film curator, teacher, and writer. He is currently the artistic director of the New York Film Festival and was director of programming at Film at Lincoln Center from 2013 to 2022.
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    Saturday, February 4, 2023
    2 PM
    Amalia Mesa-Bains’s work is deeply concerned with memory and with how art serves as a portal into the cultural histories of Indigenous, Mexican, African diasporic, and multiply gendered communities. In this new film directed by Raymond Telles, the artist reflects on how culture, history, and family memories have informed her art.

    Free admission. Tickets available at the admissions desk beginning at 1 PM.

    • Raymond Telles
      Introduction
      Raymond Telles is an adjunct associate professor in the Department of Ethnic Studies and the artist in residence at UC Berkeley’s Latinx Research Center.
    5 PM
    • Film
    • In-Person
    Saturday, February 4, 2023
    5 PM
    Hong Sangsoo,
    South Korea,
    2011,
    (79 mins)
    Four characters in search of a drink find themselves in the same bar again and again in Hong’s most Buñuelian take on the desire for human connection. “A soju-fueled cross between Last Year at Marienbad and Groundhog Day” (Artforum).
    • Dennis Lim
      Introduction
      Dennis Lim is a film curator, teacher, and writer. He is currently the artistic director of the New York Film Festival and was director of programming at Film at Lincoln Center from 2013 to 2022.
    7:30 PM
    • Film
    • In-Person
    Saturday, February 4, 2023
    7:30 PM
    Hong Sangsoo,
    South Korea,
    2017,
    (91 mins)
    A literary office is the fitting setting as a philandering middle-aged publisher, his pissed-off wife, and a mystified new office assistant wonder if words can create reality—or take the edge off it anyway. “A lovely, intricately fractured story” (New York Times).

    Tickets go on sale November 17.

    • Dennis Lim
      Introduction
      Dennis Lim is a film curator, teacher, and writer. He is currently the artistic director of the New York Film Festival and was director of programming at Film at Lincoln Center from 2013 to 2022.