Sunday | Monday | Tuesday | Wednesday | Thursday | Friday | Saturday |
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5 PM
Sunday, April 30, 2023
5 PM
Rob Epstein,
United States,
1984,
(106 mins)
New Restoration
Rob Epstein’s powerful record of the beloved San Francisco activist/politician Harvey Milk’s inspirational life and work, from his improbable, heroic rise to his horrific murder. With shorts by Barbara Hammer (I Was/I Am) and Arthur J. Bressan Jr. (Coming Out).
Series
Pioneers of Queer Cinema
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3
7 PM
Wednesday, May 3, 2023
7 PM
Marlon Riggs,
United States,
1989,
(123 mins)
Marlon Riggs’s riveting combination of interviews, performance, stock footage, autobiography, poetry, and dance reveals the revolutionary potential of Black men loving Black men. With shorts by Todd Haynes (Dottie Gets Spanked), Michael Wallin (Decodings), Kenneth Anger (Fireworks), and Mike Kuchar (Seascape).
Series
Pioneers of Queer Cinema
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4
7 PM
Thursday, May 4, 2023
7 PM
Kira Muratova,
Russia, Ukraine,
2004,
(154 mins)
Swindlers and eccentric faded aristocrats populate the crumbling Odessa of Kira Muratova’s berserk satire on Russia’s old and nouveau riche. A screwball 1930s comedy filtered through an almost assaultive theatrical style. “Like being trapped in an elevator with a psychotic” (Village Voice).
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5
7 PM
Friday, May 5, 2023
7 PM
Apichatpong Weerasethakul,
China, Colombia, France, Germany, Mexico, Switzerland, Thailand, United Kingdom,
2021,
(136 mins)
BAMPFA Student Committee Pick
Memoria also screens Thursday, April 6 (with Apichatpong Weerasethakul in person).
Set in Colombia and starring Tilda Swinton, Weerasethakul’s first feature film made outside of Thailand covers familiar thematic terrain for the veteran director in its exploration of the blurred boundaries between the natural world and spirit realm, and the way that collective traumas reemerge as memories and dreams.
A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space. |
6
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7
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7
5 PM
Sunday, May 7, 2023
5 PM
Cauleen Smith,
United States,
1998,
(86 mins)
“An enduringly rich work of DIY filmmaking, Drylongso remains a resonant and visionary examination of violence (and its reverberations), friendship, and gender” (Film at Lincoln Center).
In Conversation
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9
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7 PM
Wednesday, May 10, 2023
7 PM
Apichatpong Weerasethakul,
France, Thailand, United Kingdom,
2012,
(105 mins)
The Cannes-winning director of Tropical Malady returns with another mystical, magical blend of documentary, narrative, and fable, set in the crumbling Mekong Hotel, near the Thai/Laos border. With Ashes, Blue, La Punta, and Night Colonies.
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11
7 PM
Thursday, May 11, 2023
7 PM
Kira Muratova,
France, Ukraine,
1992,
(115 mins)
A kindly policeman throws his life into chaos after finding an abandoned baby in Kira Muratova’s combination of Chaplinesque comedy, Kafkaesque satire, and bureaucratic nightmare.
Introduction
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12
7 PM
Friday, May 12, 2023
7 PM
Apichatpong Weerasethakul,
France, Germany, Malaysia, Thailand, United Kingdom,
2015,
(127 mins)
A strange sleeping sickness befalls a group of soldiers in Weerasethakul’s mesmeric treatise on dreams, history, and magical thinking. “Cinema as the stuff dreams are made of” (Slant Magazine). With The Anthem.
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13
7 PM
Saturday, May 13, 2023
7 PM
Kira Muratova,
Ukraine, USSR,
1971,
(97 mins)
The Long Farewell also screened Sunday, April 9 without an introduction by Stanislav Menzelevskyi.
The relationship between mother and son forms the crux of Kira Muratova’s ephemeral second feature, banned for nearly two decades. “Rendered with a borderline avant-garde sense of aesthetic freedom and formal experimentation” (NYFF).
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14
2 PM
Sunday, May 14, 2023
2 PM
(86 mins)
Free Admission
Student filmmakers join us for a screening of this year’s prizewinners and honorable mentions in the film and video category of the Eisner Prize competition, UC Berkeley’s highest award for creative media making.
Free admission. Tickets available at the admissions desk beginning at 1 PM.
5 PM
Sunday, May 14, 2023
5 PM
Kira Muratova,
Russia, Ukraine,
2012,
(114 mins)
A who’s who of Russian stage and screen greats appears in Kira Muratova’s final film, a wittily staged examination of performance and storytelling where the same scene is repeated over and over again, with different actors, intonations, and settings.
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1
7 PM
Thursday, June 1, 2023
7 PM
F. W. Murnau,
United States,
1927,
(95 mins)
Restored 35mm Print
F. W. Murnau handpicked Janet Gaynor to star in his first Hollywood feature, a masterpiece of silent cinema widely considered among the greatest films ever made, which tells an elemental tale with virtuosic visual invention. This film was among Tom Luddy’s favorites. As an undergraduate at UC Berkeley in 1966, Luddy founded the F. W. Murnau Film Society.
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2
7 PM
Friday, June 2, 2023
7 PM
Jean-Luc Godard,
France,
1962,
(85 mins)
In twelve tableaux, Vivre sa vie tells of Nana (Anna Karina) at the brief, flickering moment when she takes responsibility for her life. Jean-Luc Godard’s cinema was greatly admired by Tom Luddy, who organized the first Godard retrospective with the artist present in March 1968.
Introduction
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3
5 PM
Saturday, June 3, 2023
5 PM
Yves Allégret,
France,
1949,
(91 mins)
Digital Restoration
Tom Luddy screened this classic French film noir many times during his tenure as a curator at the Pacific Film Archive. “Marvelously photographed by Henri Alekan and arguably Gérard Philipe’s finest study of romantic despair” (David Thomson, Biographical Dictionary of Film).
Introduction
7:30 PM
Saturday, June 3, 2023
7:30 PM
Roberto Rossellini,
France, Italy,
1954,
(85 mins)
Digital Restoration
Considered a predecessor to the existentialist works of Michelangelo Antonioni and hailed as a groundbreaking modernist work by the legendary film journal Cahiers du cinéma, Journey to Italy is a breathtaking cinematic benchmark. Among the major retrospectives Tom Luddy organized for the Pacific Film Archive was a Roberto Rossellini series in 1973 with Rossellini in person.
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