| BAMPFA

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1 1 PM The Phantom Carriage Film In-Person Performance Sunday, February 1, 2026 1 PM The Phantom Carriage Victor Sjöström, Sweden, 1921, (106 mins) Digital Restoration An alcoholic’s life is changed through love and an encounter with the Grim Reaper in this film of uncanny beauty and inventiveness, which Ingmar Bergman called “the keystone of my cinematographic world.” Mark Sandberg Introduction Professor Emeritus Mark Sandberg is Faculty Director of the Nordic Center at UC Berkeley. Judith Rosenberg On Piano Series Swedish Silent Cinema: Victor Sjöström & Mauritz Stiller Get Tickets Google Calendar ICS 3:30 PM Robert Beavers: Program 4 Film In-Person Sunday, February 1, 2026 3:30 PM Robert Beavers: Program 4 (82 mins) These three films from Robert Beavers’s film cycle create connections between varied times and places, and between old-world artisanal practices and the craft of filmmaking. In Conversation Robert Beavers Erik Ulman Erik Ulman is an Advanced Lecturer in Music at Stanford University. Series Robert Beavers: Filmmaker in Residence Get Tickets Google Calendar ICS 6:30 PM 2046 Film In-Person Sunday, February 1, 2026 6:30 PM 2046 Wong Kar Wai, Hong Kong, 2004, (129 mins) 4K Digital Restoration Also screens on Friday, February 27 (without an introduction). 2046 “echoes” (in Wong Kar Wai’s preferred term) In the Mood For Love’s writer protagonist (Tony Leung Chiu-wai) three years on, now working on an erotic story, set in the year 2046, about a place where people lose themselves in memories. A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space. Iggy Cortez Introduction Iggy Cortez is an Assistant Professor in the Department of Film & Media at UC Berkeley. Series In the Mood for Love: The Films of Wong Kar Wai SOLD OUT Google Calendar ICS	2	3	4 7 PM Long Haulers Film In-Person Wednesday, February 4, 2026 7 PM Long Haulers Amy Reid, United States, 2020, (95 mins) Riding with three long-haul truck drivers, filmmaker Amy Reid documents their work, observations on the economic importance of trucking, and reflections on being among the few women in the profession. With Katarina Jazbec’s investigation into the work of lashers in the port of Rotterdam. In Conversation Amy Reid Kate MacKay Kate MacKay is a Film Curator at BAMPFA. Series Documentary Voices Get Tickets Google Calendar ICS	5 7 PM Robert Beavers: Program 5 Film In-Person Thursday, February 5, 2026 7 PM Robert Beavers: Program 5 (60 mins) Sotiros incorporates narrative film devices such as intertitle cards into a metaphorical dialogue between two male lovers. In Efpsychi we hear a word spoken, teleftea, meaning the last (one). Wingseed draws comparisons between the pastoral beauty of a Greek hillside and that of the male form. In Conversation Robert Beavers Ken Ueno Ken Ueno is a composer, vocalist, and sound artist, and a Professor in the Department of Music at UC Berkeley. Series Robert Beavers: Filmmaker in Residence Get Tickets Google Calendar ICS	6 3:30 PM Mosse Lecture: Robert Beavers Film Free In-Person Friday, February 6, 2026 3:30 PM Mosse Lecture: Robert Beavers Free admission. Tickets available at the admissions desk beginning at 2:30 PM. The Berlin-based filmmaker will present Diminished Frame and The Sparrow Dream and discuss the relationship of history, memory, and place in his films. Free admission. Tickets available at the admissions desk beginning at 2:30 PM. In Conversation Robert Beavers Deniz Göktürk Deniz Göktürk is a Professor of German and Film at UC Berkeley. Series Robert Beavers: Filmmaker in Residence Google Calendar ICS 7 PM Robert Beavers: Program 6 Film In-Person Friday, February 6, 2026 7 PM Robert Beavers: Program 6 (61 mins) The final three works in Robert Beavers’s film cycle—The Hedge Theater, The Stoas, and The Ground—offer images of ineffable beauty, unspoken eloquence, and an expression of devotional love. In Conversation Robert Beavers Susan Oxtoby Susan Oxtoby is the Director of Film and Senior Film Curator at BAMPFA. Series Robert Beavers: Filmmaker in Residence Get Tickets Google Calendar ICS	7 1 PM Teenage Wasteland Closed Captioned Film In-Person Saturday, February 7, 2026 1 PM Teenage Wasteland Amanda McBaine, Jesse Moss, United States, 2025, (110 mins) In 1990s upstate New York, a misfit cohort of muckraking high school students armed with camcorders exposed improper toxic waste dumping in their community. Decades later the students and their teacher revisit the twisty, scandalous story. In Conversation Amanda McBaine Jesse Moss Jason Spingarn-Koff Jason Spingarn-Koff is a Professor of Journalism and Knight Chair of Climate Journalism at UC Berkeley. Series Climate Journalism on Screen Get Tickets Google Calendar ICS 4:15 PM The Wild Child Film In-Person Saturday, February 7, 2026 4:15 PM The Wild Child François Truffaut, France, 1970, (83 mins) This fact-based tale of a “wolf boy” and the teacher who sets out to tame him is François Truffaut’s “most thoughtful statement on his favorite subject: the way young people grow up, explore themselves, and attempt to function creatively in the world” (Roger Ebert). A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space. Laura Truffaut Introduction and Post-Screening Discussion Aner Preminger Moderator Aner Preminger is the Koret Visiting Professor in Israel Studies at the Helen Diller Institute at UC Berkeley and the author of François Truffaut: Cinema as an Act of Love—An Intertextual Ap Series Laura Truffaut on François Truffaut SOLD OUT Google Calendar ICS 7 PM Robert Beavers: Program 7 Film In-Person Saturday, February 7, 2026 7 PM Robert Beavers: Program 7 (89 mins) Robert Beavers’s seven works made after his film cycle demonstrate his continued interest in the poetic form and emotions linked to a sense of home or place, including his delicate portrait of his mother, Pitcher of Colored Light, and the graceful The Suppliant. In Conversation Robert Beavers Susan Oxtoby Susan Oxtoby is the Director of Film and Senior Film Curator at BAMPFA. Series Robert Beavers: Filmmaker in Residence Get Tickets Google Calendar ICS
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8 4:30 PM Gösta Berling’s Saga (Parts 1 & 2) Film In-Person Sunday, February 8, 2026 4:30 PM Gösta Berling’s Saga (Parts 1 & 2) Mauritz Stiller, Sweden, 1924, (206 mins) Digital Restoration Remembered as the first major performance of nineteen-year-old Greta Garbo as one of Gösta Berling’s love interests, the film caught the eye of Louis B. Mayer, who brought both Mauritz Stiller and Garbo to Hollywood, making Gösta Berling’s Saga Stiller’s final movie in Sweden. Total running time: 206 mins plus 30-minute intermission. Part 2 will start at approximately 7 PM. Mark Sandberg Introduction Professor Emeritus Mark Sandberg is Faculty Director of the Nordic Center at UC Berkeley. Series Swedish Silent Cinema: Victor Sjöström & Mauritz Stiller Get Tickets Google Calendar ICS	9	10	11 7 PM Model Film Wednesday, February 11, 2026 7 PM Model Frederick Wiseman, United States, 1980, (129 mins) 4K Digital Restoration Model captures the inner workings of Zoli, a New York fashion modeling agency, and the labor of the statuesque men and women represented there. Series Frederick Wiseman: America at Work Get Tickets Google Calendar ICS	12 7 PM Two English Girls Film In-Person Thursday, February 12, 2026 7 PM Two English Girls François Truffaut, France, 1971, (130 mins) Aided by the marvelous, impressionist-styled images of cinematographer Nestor Almendros and a swooning score by Georges Delerue, François Truffaut transforms his second adaptation of a novel by Henri-Pierre Roché (author of Jules and Jim) into an overwhelming sensory experience. A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space. Laura Truffaut Introduction and Post-Screening Discussion Aner Preminger Moderator Aner Preminger is the Koret Visiting Professor in Israel Studies at the Helen Diller Institute at UC Berkeley and the author of François Truffaut: Cinema as an Act of Love—An Intertextual Ap Series Laura Truffaut on François Truffaut SOLD OUT Google Calendar ICS	13 4 PM High and Low Film Friday, February 13, 2026 4 PM High and Low Akira Kurosawa, Japan, 1963, (143 mins) 4K Digital Restoration A kidnapping becomes a moral dilemma for an executive (Toshiro Mifune) in “one of the best detective thrillers ever filmed” (New York Times). A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space. Series Akira Kurosawa: Four Recent Restorations SOLD OUT Google Calendar ICS 7 PM Happy Together Film In-Person Friday, February 13, 2026 7 PM Happy Together Wong Kar Wai, Hong Kong, 1997, (96 mins) 4K Digital Restoration Also screens on Sunday, January 25 (with an introduction by Daniel O’Neill). Hong Kong superstars Leslie Cheung and Tony Leung Chiu-wai play expat lovers adrift in Buenos Aires. Simultaneously bruising and yearning, Happy Together is “a take-no-prisoners movie that’s the very antithesis of sentimental gay love stories” (Kenneth Turan). A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space. Iggy Cortez Introduction Iggy Cortez is an Assistant Professor in the Department of Film & Media at UC Berkeley. Series In the Mood for Love: The Films of Wong Kar Wai SOLD OUT Google Calendar ICS	14 12 PM My Undesirable Friends: Part 1—Last Air in Moscow: Crackdown Chapters 1–3 Film Saturday, February 14, 2026 12 PM My Undesirable Friends: Part 1—Last Air in Moscow: Crackdown Chapters 1–3 Julia Loktev, United States, 2024, (214 mins) Chapters 4–5 screen Saturday, February 14, 4:15 PM & Friday, February 27, 7 PM Hailed as one of the must-see documentaries of the last year. “A scary and riveting portrait of Russia’s last independent news channel” (Lauren Wissot, IndieWire). Includes a 15 minute intermission Series Special Screenings Get Tickets Google Calendar ICS 4:15 PM My Undesirable Friends: Part 1—Last Air in Moscow: First Week of War Chapters 4–5 Film Saturday, February 14, 2026 4:15 PM My Undesirable Friends: Part 1—Last Air in Moscow: First Week of War Chapters 4–5 Julia Loktev, United States, 2024, (125 mins) Chapters 1–3 screen Saturday, February 14, 12 PM & Thursday, February 26, 7 PM Hailed as one of the must-see documentaries of the last year. “A scary and riveting portrait of Russia’s last independent news channel” (Lauren Wissot, IndieWire). Series Special Screenings Get Tickets Google Calendar ICS 7 PM In the Mood for Love Film Saturday, February 14, 2026 7 PM In the Mood for Love Wong Kar Wai, Hong Kong, 2000, (98 mins) Also screens in a 4K digital restoration on Friday, January 9 (with an introduction by Weihong Bao) & Friday, January 30 (with an introduction by Daniel O’Neill). This twenty-first-century classic set in the early 1960s distills the essence of romance and melancholy, with gorgeous neighbors (Maggie Cheung and Tony Leung Chiu-wai) “in the mood for love,” yet too proper to act on it. A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space. Series In the Mood for Love: The Films of Wong Kar Wai Get Tickets Google Calendar ICS
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15 1 PM Only on Earth Film Sunday, February 15, 2026 1 PM Only on Earth Robin Petré, Denmark, Spain, 2025, (93 mins) Only on Earth captures the rhythms of rural life in northwest Spain, as rising temperatures and human development alter the landscape, which for centuries teemed with wild horses that kept the flammable undergrowth in check. Series Climate Journalism on Screen Get Tickets Google Calendar ICS 4 PM A Man There Was & The Wind Film In-Person Performance Sunday, February 15, 2026 4 PM A Man There Was & The Wind (134 mins) Set during the Napoleonic Wars, this adaptation of Henrik Ibsen’s nationalistic poem is distinguished by stunning land and seascape photography. With the director’s Hollywood epic The Wind, wherein naive Virginia belle Lillian Gish relocates to windswept Texas. Mark Sandberg Introduction Mark Sandberg is Professor Emeritus and Faculty Director of the Nordic Center at UC Berkeley. Judith Rosenberg On Piano Series Swedish Silent Cinema: Victor Sjöström & Mauritz Stiller Get Tickets Google Calendar ICS 7:15 PM My Blueberry Nights Film Sunday, February 15, 2026 7:15 PM My Blueberry Nights Wong Kar Wai, United States, 2007, (95 mins) Singer Norah Jones headlines Wong Kar Wai’s English-language debut, which depicts a heartbroken singer on a road trip across America and the other lost souls—Jude Law, Rachel Weisz, and Natalie Portman among them—she encounters along the way. A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space. Series In the Mood for Love: The Films of Wong Kar Wai Get Tickets Google Calendar ICS	16	17	18 7 PM Gaucho Gaucho Film Wednesday, February 18, 2026 7 PM Gaucho Gaucho Michael Dweck, Gregory Kershaw, Argentina, United States, 2024, (116 mins) These two films document contemporary cowboy culture on two continents. Gaucho Gaucho chronicles the everyday life of Argentine cowhands, while Ten Five in the Grass captures the preparations for a calf roping event on the Black rodeo circuit. Series Documentary Voices Get Tickets Google Calendar ICS	19 7 PM Meat Film In-Person Thursday, February 19, 2026 7 PM Meat Frederick Wiseman, United States, 1976, (113 mins) 4K Digital Restoration Capturing a pivotal moment in the history of animal agriculture, Meat tracks the transformation of animals into consumer commodities through a revolutionary, scalable assembly-line process that dramatically increased the world’s appetite for beef. In Conversation Ricardo San Martin Ricardo San Martin is the Director of the Alternative Meats X-Lab at UC Berkeley, which helps entrepreneurs and researchers investigate the next generation of foods such as plant-based meats, dairy su Jeanne Merrill Jeanne Merrill is the Executive Director of the Berkeley Food Institute at UC Berkeley and is a cofounder and former Policy Director with the California Climate and Agriculture Network. Jeff Griffith-Perham Jeff Griffith-Perham is an Associate Film Curator at BAMPFA. Series Frederick Wiseman: America at Work Get Tickets Google Calendar ICS	20 4:30 PM Yojimbo Film Friday, February 20, 2026 4:30 PM Yojimbo Akira Kurosawa, Japan, 1961, (110 mins) 4K Digital Restoration Toshiro Mifune is a sly, amoral mercenary in a town ruled by killers in Akira Kurosawa’s tongue-in-cheek anti-epic. “A visually faultless and highly sophisticated satire on violence and human weakness” (Sight and Sound). A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space. Series Akira Kurosawa: Four Recent Restorations SOLD OUT Google Calendar ICS 7 PM Day for Night Film In-Person Friday, February 20, 2026 7 PM Day for Night François Truffaut, France, 1973, (115 mins) Imported 35mm Print Jean-Pierre Léaud joins an ensemble cast for a behind-the-scenes romantic comedy in which the love interest is cinema itself. Day for Night is buoyed by robust performances and a sparkling score by the legendary Georges Delerue. A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space. Laura Truffaut Introduction and Post-Screening Discussion Aner Preminger Moderator Aner Preminger is the Koret Visiting Professor in Israel Studies at the Helen Diller Institute at UC Berkeley and the author of François Truffaut: Cinema as an Act of Love—An Intertextual Ap Series Laura Truffaut on François Truffaut SOLD OUT Google Calendar ICS	21 1 PM Three Films on Water and Tradition Film In-Person Saturday, February 21, 2026 1 PM Three Films on Water and Tradition (105 mins) This cross-continental program presents stories from Pakistan, Croatia, and Bolivia, where struggles over access to clean water intersect with reflections on cultural traditions and legacy. In Conversation Amin Muhammad Amin Muhammad is a director and producer of The Glacier Wedding. Thomas Sawano Thomas Sawano is a director and producer of The Glacier Wedding. Jennifer Redfearn Jennifer Redfearn is an Academy Award–nominated filmmaker and the Director of the Documentary Program at the UC Berkeley Graduate School of Journalism. Series Climate Journalism on Screen Get Tickets Google Calendar ICS 4:30 PM Cairo Station Film Saturday, February 21, 2026 4:30 PM Cairo Station Youssef Chahine, Egypt, 1958, (100 mins) 4K Digital Restoration Combining Italian neorealism, Egyptian romanticism, and overheated film noir, Cairo Station is unlike anything anyone had seen in 1958, or indeed today. With short Cairo as Seen by Chahine. Series Special Screenings Get Tickets Google Calendar ICS 7 PM The Grandmaster Film Saturday, February 21, 2026 7 PM The Grandmaster Wong Kar Wai, Hong Kong, 2013, (130 mins) Wong Kar Wai’s big-budget salute to the golden age of Chinese martial arts stars Tony Leung Chiu-wai as the legendary Ip Man (Bruce Lee’s mentor), attempting to unite several martial arts factions in a Republican China under threat from Japanese invasion. A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space. Series In the Mood for Love: The Films of Wong Kar Wai SOLD OUT Google Calendar ICS
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22 1 PM All the Walls Came Down Film In-Person Sunday, February 22, 2026 1 PM All the Walls Came Down Ondi Timoner, United States, 2025, (79 mins) All the Walls Came Down chronicles the devastating aftermath of the Eaton Fire on the community of Altadena, California, from the personal perspective of someone who lost their home, filmmaker Ondi Timoner. Paired with Sallie’s Ashes, which follows a trio of retired Alabama seniors turned community organizers, fighting to protect Mobile Bay from an industrial behemoth’s toxic coal ash dump. In Conversation Ondi Timoner Ondi Timoner is the director of All the Walls Came Down. Brennan Robideaux Brennan Robideaux is the director of Sallie’s Ashes. Jason Spingarn-Koff Jason Spingarn-Koff is a Professor of Journalism and Knight Chair of Climate Journalism at UC Berkeley. Series Climate Journalism on Screen Get Tickets Google Calendar ICS 4 PM Small Change Film In-Person Sunday, February 22, 2026 4 PM Small Change François Truffaut, France, 1976, (105 mins) François Truffaut’s tribute to the resilience of children in the face of difficulties is one of cinema’s most moving, comedic looks at childhood. “Turns out to be that rarity—a poetic comedy that’s really funny” (Pauline Kael). A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space. Laura Truffaut Introduction and Post-Screening Discussion Aner Preminger Moderator Aner Preminger is the Koret Visiting Professor in Israel Studies at the Helen Diller Institute at UC Berkeley and the author of François Truffaut: Cinema as an Act of Love—An Intertextual Ap Series Laura Truffaut on François Truffaut SOLD OUT Google Calendar ICS 7 PM Days of Being Wild Film Sunday, February 22, 2026 7 PM Days of Being Wild Wong Kar Wai, Hong Kong, 1990, (94 mins) 4K Digital Restoration Also screens on Sunday, January 11 (with an introduction). A haunting paean to memory, love, and longing, set during a long and sweltering Hong Kong summer, Wong Kar Wai’s first collaboration with cinematographer Christopher Doyle was a winner of five Hong Kong Film Awards. A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space. Series In the Mood for Love: The Films of Wong Kar Wai SOLD OUT Google Calendar ICS	23	24	25 7 PM Put Your Soul on Your Hand and Walk Film In-Person Wednesday, February 25, 2026 7 PM Put Your Soul on Your Hand and Walk Sepideh Farsi , France, Iran, Palestine, 2025, (112 mins) Sepidah Farsi’s yearlong conversation with Palestinian poet and photojournalist Fatma Hassona, killed by Israeli airstrike in April 2025, is “a tremendously moving portrait of resistance under siege” (Isaac Feidberg, RogerEbert.com). Ussama Makdisi Introduction Ussama Makdisi is a Professor of History and Chancellor’s Chair at UC Berkeley. Series Documentary Voices Get Tickets Google Calendar ICS	26 7 PM My Undesirable Friends: Part 1—Last Air in Moscow: Crackdown Chapters 1–3 Film Thursday, February 26, 2026 7 PM My Undesirable Friends: Part 1—Last Air in Moscow: Crackdown Chapters 1–3 Julia Loktev, United States, 2024, (214 mins) Chapters 4–5 screen Saturday, February 14, 4:15 PM & Friday, February 27, 7 PM Hailed as one of the must-see documentaries of the last year. “A scary and riveting portrait of Russia’s last independent news channel” (Lauren Wissot, IndieWire). Includes a 15 minute intermission Series Special Screenings Get Tickets Google Calendar ICS	27 4 PM 2046 Film Friday, February 27, 2026 4 PM 2046 Wong Kar Wai, Hong Kong, 2004, (129 mins) 4K Digital Restoration Also screens on Sunday, February 1 (with an introduction). 2046 “echoes” (in Wong Kar Wai’s preferred term) In the Mood For Love’s writer protagonist (Tony Leung Chiu-wai) three years on, now working on an erotic story, set in the year 2046, about a place where people lose themselves in memories. A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space. Series In the Mood for Love: The Films of Wong Kar Wai SOLD OUT Google Calendar ICS 7 PM My Undesirable Friends: Part 1—Last Air in Moscow: First Week of War Chapters 4–5 Film Friday, February 27, 2026 7 PM My Undesirable Friends: Part 1—Last Air in Moscow: First Week of War Chapters 4–5 Julia Loktev, United States, 2024, (125 mins) Chapters 1–3 screen Saturday, February 14, 12 PM & Thursday, February 26, 7 PM Hailed as one of the must-see documentaries of the last year. “A scary and riveting portrait of Russia’s last independent news channel” (Lauren Wissot, IndieWire). Series Special Screenings Get Tickets Google Calendar ICS	28 1:30 PM Chungking Express Film Saturday, February 28, 2026 1:30 PM Chungking Express Wong Kar Wai, Hong Kong, 1994, (102 mins) 4K Digital Restoration Also screens on Sunday, January 18 (with an introduction). Filmed in the middle of the making of Ashes of Time, Chungking Express is a cop movie and a mesmerizing jolt of Hong Kong’s energy, romance, and style, framed by Christopher Doyle’s lyrically kinetic cinematography. A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space. Series In the Mood for Love: The Films of Wong Kar Wai SOLD OUT Google Calendar ICS 4 PM Wild Strawberries Film In-Person Saturday, February 28, 2026 4 PM Wild Strawberries Ingmar Bergman, Sweden, 1957, (92 mins) The film that cemented Ingmar Bergman’s international reputation deftly interweaves memory, reality, and dream. As an elderly professor recollecting his life’s failures, “Victor Sjöström gives one of the greatest performances of cinema” (National Film Theatre, London). Linda Haverty Rugg Introduction Linda Haverty Rugg is Professor Emerita in the Department of Scandinavian at UC Berkeley. Series Swedish Silent Cinema: Victor Sjöström & Mauritz Stiller Get Tickets Google Calendar ICS 7 PM Confidentially Yours Film In-Person Saturday, February 28, 2026 7 PM Confidentially Yours François Truffaut, France, 1983, (110 mins) François Truffaut’s graceful last film pays tribute to screwball comedies, film noir, and the stylish thrillers of Alfred Hitchcock as it follows a real-estate agent and his secretary, who are thrown together to investigate a series of small-town murders. “A valentine disguised as a noir” (TCM). A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space. Laura Truffaut Introduction and Post-Screening Discussion Series Laura Truffaut on François Truffaut SOLD OUT Google Calendar ICS