Sunday | Monday | Tuesday | Wednesday | Thursday | Friday | Saturday |
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27
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28
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29
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30
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31
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1
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2
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27
1:00 PM
Sunday, October 27, 2024
1:00 PM
Joe Ma,
Hong Kong,
1997,
(85 mins)
It’s Chinese street smarts versus British rule when a fast-talking lawyer takes on a British courtroom in this manic screwball comedy starring Stephen Chow (Shaolin Soccer, Kung Fu Hustle). Costarring Chingmy Yau (Naked Killer) and Karen Mok.
7:00 PM
Sunday, October 27, 2024
7:00 PM
Alán González,
Cuba,
2023,
(93 mins)
After premiering at the Toronto International Film Festival, Wild Woman became one of the most celebrated Cuban feature debuts in the past decade. Set in a Havana slum, the film follows a Cuban mother as she battles social prejudice, machismo, poverty, and violence to protect her son after a violent altercation goes viral.
In Conversation
Series
Cuban Cinema without Borders
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28
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29
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30
7:00 PM
Wednesday, October 30, 2024
7:00 PM
(84 mins)
BAMPFA and UC Berkeley’s Arts Research Center welcome Michif (Métis) stop-motion storyteller Amanda Strong to present her animated films. Depicting Indigenous realities, stories, and dreams, the works provide a compelling cinematic counterpoint challenging historical narratives of Indigenous peoples.
In Person
Series
Alternative Visions
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31
7:00 PM
Thursday, October 31, 2024
7:00 PM
Jean-Pierre Melville,
France,
1967,
(105 mins)
Digital Restoration
Alain Delon embodies cool as a solitary, silent Parisian killer flitting between hits and flings in this essential, influential assassin film. “Achieves an atmosphere of mesmerizing, otherworldly beauty” (Slant).
Series
Special Screenings
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1
4:00 PM
Friday, November 1, 2024
4:00 PM
Free for UC Berkeley students, staff, and faculty
Award-winning multimedia Indigenous artists Amanda Strong (Michif) and Bracken Hanuse Corlett (Wuikinuxv and Klahoose) share insights on the creation of their films, including their current project, eight years in the making and now on the cusp of its world premiere.
Free for UC Berkeley students, staff, and faculty. In Conversation
Series
Alternative Visions
7:00 PM
Friday, November 1, 2024
7:00 PM
Sergei Parajanov,
USSR,
1969,
(103 mins)
Digital Restoration
This magical work, rich in period music, reimagines Armenian history and culture through the life and writings of its greatest poet. “Watching [it] is like opening a door and walking into another dimension, where time has stopped and beauty has been unleashed” (Martin Scorsese). Shown with two rarely screened short films, Kyiv Frescoes and Hakob Hovnatanyan.
A limited number of wheelchair accessible spaces may still be available for this screening. Please contact |
2
2:30—5:30 PM
Saturday, November 2, 2024
2:30—5:30 PM
Cosponsored by BAMPFA; the Institute of Slavic, East European, and Eurasian Studies (ISEEES); the Berkeley Armenian Studies Program; and the Department of Slavic Languages and Literatures
Five experts join BAMPFA’s Sergei Parajanov: Centennial Celebration to discuss the filmmaker’s multifaceted legacy.
Free and open to the public. Tickets available at the admissions desk beginning at 1:30 PM. In Conversation
7:00 PM
Saturday, November 2, 2024
7:00 PM
(77 mins)
From a Cuban immigrant in New York (Ángela) to the metaphorical uprootedness in Petricor, the critique of romanticized communist nostalgia in Souvenir, a mother’s longing for reunification with her son in Parole, and the dystopian vision in History Is Written at Night, these films offer nuanced perspectives on diaspora, exile, and nation building amidst Cuba’s historical exodus.
In Conversation
Series
Cuban Cinema without Borders
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3
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4
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5
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6
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7
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8
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9
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3
2:00 PM
Sunday, November 3, 2024
2:00 PM
Luis Alejandro Yero,
Cuba, Germany, Norway,
2023,
(93 mins)
Follow four queer Cuban migrants navigating isolation amid Russia’s invasion of Ukraine in Calls from Moscow, one of the most striking documentaries of contemporary Cuban cinema. This special screening is preceded by Gretel Marín’s Roads of Lava, another beautiful portrayal of queer activism and anti-racist pedagogies within Havana.
Series
Cuban Cinema without Borders
4:30 PM
Sunday, November 3, 2024
4:30 PM
Patrick Cazals,
France,
2003,
(91 mins)
This insightful portrait of a wounded, but fiercely independent Sergei Parajanov deals with his various talents as a painter, designer, and collage artist. Followed by Parajanov’s rare short film Arabesque on the Pirosmani Theme and Patrick Cazals’s portrait of Parajanov’s muse, Georgian actor Sofiko Chiaureli.
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4
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5
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6
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7
7:00 PM
Thursday, November 7, 2024
7:00 PM
Jia Zhangke,
China,
2024,
(111 mins)
Jia Zhangke delivers an epic look at the romantic destiny of his perennial heroine, Qiao Qiao. Spanning twenty-one years of a country going through profound transformation, the film provides a new perspective on contemporary China.
A limited number of wheelchair accessible spaces may still be available for this screening. Please contact In Conversation
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8
3:00 PM
Friday, November 8, 2024
3:00 PM
Jia Zhangke,
China, Hong Kong,
1997,
(112 mins)
A small-time, undermotivated pickpocket finds himself on the wrong end of China’s economic leap forward in Jia Zhangke’s debut feature, a milestone in contemporary Chinese cinema.
A limited number of wheelchair accessible spaces may still be available for this screening. Please contact In Conversation
7:00 PM
Friday, November 8, 2024
7:00 PM
Jia Zhangke,
China, Hong Kong,
2000,
(155 mins)
A performance troupe struggles to keep up during China’s 1980s move from communism to capitalism. “Might be the greatest film to come out of mainland China” (Jonathan Rosenbaum).
A limited number of wheelchair accessible spaces may still be available for this screening. Please contact In Conversation
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9
3:00 PM
Saturday, November 9, 2024
3:00 PM
Jia Zhangke,
China,
2006,
(108 mins)
The controversial Three Gorges Dam project frames two stories in Jia Zhangke’s examination of a city under (de)construction. Winner of the Golden Lion at the Venice Film Festival.
A limited number of wheelchair accessible spaces may still be available for this screening. Please contact In Conversation
7:00 PM
Saturday, November 9, 2024
7:00 PM
Jia Zhangke,
China, Japan,
2002,
(112 mins)
A sympathetic, impressionistic portrait of youth so alienated that they’ve nothing to rebel against, much less for, Unknown Pleasures is “as true a picture of contemporary existence as we could hope for now” (Kent Jones, Film Comment).
A limited number of wheelchair accessible spaces may still be available for this screening. Please contact In Conversation
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10
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11
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12
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13
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14
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15
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16
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10
12:00 PM
Sunday, November 10, 2024
12:00 PM
Sergei Parajanov,
USSR,
1969,
(103 mins)
Digital Restoration
This magical work, rich in period music, reimagines Armenian history and culture through the life and writings of its greatest poet. “Watching [it] is like opening a door and walking into another dimension, where time has stopped and beauty has been unleashed” (Martin Scorsese). Shown with two rarely screened short films, Kyiv Frescoes and Hakob Hovnatanyan.
A limited number of wheelchair accessible spaces may still be available for this screening. Please contact 2:30 PM
Sunday, November 10, 2024
2:30 PM
Jia Zhangke,
China, Netherlands,
2010,
(118 mins)
Jia Zhangke explores the contested city of Shanghai, as witnessed through citizens, politicians, criminals, exiles, artists, and especially filmmakers. Both a historian’s and a cinephile’s dream, I Wish I Knew is as much about Shanghai in cinema as it is about Shanghai.
A limited number of wheelchair accessible spaces may still be available for this screening. Please contact In Conversation
6:30 PM
Sunday, November 10, 2024
6:30 PM
Jia Zhangke,
China,
2013,
(130 mins)
Jia Zhangke takes on the collateral damage of China’s maniacal growth, explosively restaging four violent deeds to illustrate everyday citizens pushed to the edge—of the economy. Winner of the Best Screenplay prize at the Cannes Film Festival.
A limited number of wheelchair accessible spaces may still be available for this screening. Please contact In Conversation
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11
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12
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13
7:00 PM
Wednesday, November 13, 2024
7:00 PM
Jia Zhangke,
China, France, Japan,
2018,
(150 mins)
A gangster’s wife stands on her own in Jia Zhangke’s expansive narrative of empowerment and survival, inspired by Hong Kong gangster films and set against the tumultuous changes taking place in contemporary China. “Fierce, gripping, emotionally generous, and surprisingly funny” (Los Angeles Times).
A limited number of wheelchair accessible spaces may still be available for this screening. Please contact In Conversation
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14
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15
4:30 PM
Friday, November 15, 2024
4:30 PM
Neo Sora,
Japan,
2023,
(103 mins)
A celebration of an artist’s life in the purest sense, Ryuichi Sakamoto: Opus is the definitive swan song of one of the world’s greatest musicians. A concert film featuring just him and his piano.
Series
Special Screenings
7:00 PM
Friday, November 15, 2024
7:00 PM
Sergei Parajanov,
USSR,
1965,
(96 mins)
Digital Restoration
Pagan rituals, demonology, folklore, and legend come to life in Sergei Parajanov’s hypnotic update of a Romeo and Juliet–like tale. “Astonishing . . . one of the supreme works of Soviet cinema” (Jonathan Rosenbaum).
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16
4:30 PM
Saturday, November 16, 2024
4:30 PM
Jia Zhangke,
China,
2008,
(107 mins)
A Sichuan industrial complex is razed to make way for upscale condos. “Blending fiction with documentary, [Jia Zhangke] brings huge stretches of long-repressed history to life on an intimate scale” (New Yorker).
A limited number of wheelchair accessible spaces may still be available for this screening. Please contact 7:00 PM
Saturday, November 16, 2024
7:00 PM
Daniela Muñoz Barroso ,
Cuba,
2021,
(77 mins)
Despite significant hearing loss, Daniela Muñoz Barroso delves into the legacy of Mafifa, a pioneering Cuban conga bell player. This INSTAR Film Festival award-winning film uses archival and autoethnographic techniques to candidly and innovatively confront structural racism in postrevolutionary Cuba.
Series
Cuban Cinema without Borders
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17
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18
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19
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20
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21
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22
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23
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17
2:00 PM
Sunday, November 17, 2024
2:00 PM
Sergei Parajanov, Dodo Abashidze,
USSR,
1985,
(82 mins)
Mixing regional history, political protest, and romantic drama, The Legend of Suram Fortress marked Sergei Parajanov’s return to cinema after enduring fifteen years of Soviet censorship.
4:00 PM
Sunday, November 17, 2024
4:00 PM
Jean-Pierre Melville,
France,
1967,
(105 mins)
Digital Restoration
Alain Delon embodies cool as a solitary, silent Parisian killer flitting between hits and flings in this essential, influential assassin film. “Achieves an atmosphere of mesmerizing, otherworldly beauty” (Slant).
Series
Special Screenings
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18
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19
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20
7:00 PM
Wednesday, November 20, 2024
7:00 PM
(75 mins)
From an improbably epic single-shot journey across the varied designs of a hotel’s carpets, through an abandoned trainyard and a contemporary bowling alley, to mid-twentieth-century Kodachrome parades, Scott Stark traces, tracks, and transforms everyday surfaces with a variety of cinematic tools.
Series
Alternative Visions
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21
7:00 PM
Thursday, November 21, 2024
7:00 PM
Jia Zhangke,
China, Japan,
2004,
(142 mins)
A Vegas-style theme park in Beijing provides the lonely-planet setting for Jia Zhangke’s parable on China’s cultural renovation: fake landscapes, real problems. “Highly original, brilliantly conceived” (Tony Rayns).
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22
7:00 PM
Friday, November 22, 2024
7:00 PM
Dodo Abashidze, Sergei Parajanov,
USSR,
1988,
(78 mins)
The film recounts the adventures of a wandering minstrel. “In [Sergei] Parajanov’s own mystic tradition and symbolic language, the story by [Mikhail] Lermontov is transformed into real and invented, magnificent, all-eclipsing art” (Kora Zereteli, Munich Film Festival).
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23
3:30 PM
Saturday, November 23, 2024
3:30 PM
Bahram Beyzaie,
Iran,
1974,
(146 mins)
Digital Restoration
Banned in Iran after the 1979 revolution, “this visually ravishing masterwork invents its own mythology to critique the sociopolitical conditions of 1970s Iran” (Film at Lincoln Center).
Series
Special Screenings
7:00 PM
Saturday, November 23, 2024
7:00 PM
Jia Zhangke,
China,
2020,
(112 mins)
Three of China’s greatest living authors share their stories and memories in Jia Zhangke’s tribute to storytelling and the connection between intellectual thought and working-class labor. “A spiritual depiction of China. Illuminating” (South China Morning Post).
A limited number of wheelchair accessible spaces may still be available for this screening. Please contact |
24
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25
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26
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27
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28
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29
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30
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24
2:00 PM
Sunday, November 24, 2024
2:00 PM
Akira Kurosawa,
Japan,
1954,
(207 mins)
4K Digital Restoration
A ragtag group of samurai bands together to protect a village from bandits in Akira Kurosawa’s masterpiece, often cited as one of the ten best films ever made.
Presented with a 10-minute intermission A limited number of wheelchair accessible spaces may still be available for this screening. Please contact
Series
Special Screenings
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25
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26
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27
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28
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29
3:00 PM
Friday, November 29, 2024
3:00 PM
Neo Sora,
Japan,
2023,
(103 mins)
A celebration of an artist’s life in the purest sense, Ryuichi Sakamoto: Opus is the definitive swan song of one of the world’s greatest musicians. A concert film featuring just him and his piano.
Series
Special Screenings
5:30 PM
Friday, November 29, 2024
5:30 PM
Jean-Pierre Melville,
France,
1967,
(105 mins)
Digital Restoration
Alain Delon embodies cool as a solitary, silent Parisian killer flitting between hits and flings in this essential, influential assassin film. “Achieves an atmosphere of mesmerizing, otherworldly beauty” (Slant).
Series
Special Screenings
|
30
3:30 PM
Saturday, November 30, 2024
3:30 PM
Victor Fleming,
United States,
1939,
(101 mins)
4K Digital Restoration
What better activity for a holiday weekend than a trip down the Yellow Brick Road together with Dorothy, the Scarecrow, the Cowardly Lion, and the Tin Woodsman?
Series
Movie Matinees for All Ages
6:00 PM
Saturday, November 30, 2024
6:00 PM
Jia Zhangke,
China, France, Japan,
2015,
(131 mins)
“With audacious leaps of time and intimate echoes spanning a quarter century of intertwined lives, the director Jia Zhangke endows this romantic melodrama with vast geopolitical import” (Richard Brody, New Yorker).
A limited number of wheelchair accessible spaces may still be available for this screening. Please contact |