• A Night of Knowing Nothing

  • Bat-Like Devil Chaser with a Top Hat

  • A Night of Knowing Nothing

A Night of Knowing Nothing

Foregrounds cinema itself as a site of resistance.

Michael Sicinski, MUBI Notebook

In “a brilliantly fragmentary work of witnessing” (New York Film Festival) the passions of youth, Payal Kapadia’s hybrid film combines letters written by a student at the Film and Television Institute of India (from which Kapadia graduated) with documentary images of student protests filmed over several years across India. Kapadia observed, “In our country, love is a very political entity (I guess that is true everywhere). Many of my influences come from daily life and the struggles that are faced by those around me. There are many artists too that have inspired me, which include the Iranian poet Forugh Farrokhzad, whose poem ‘Another Birth’ has also [lent] its name to our production company. Others include painter Arpita Singh, the writers John Berger and Rainer Maria Rilke, and filmmakers Apichatpong Weerasethakul and Aki Kaurismäki.” 

Debashree Mukherjee's Film Quarterly article provides an in-depth discussion: “A Night of Knowing Nothing: Cinema, Love, and Collective Struggle

FILM DETAILS 
Screenwriter
  • Payal Kapadia
  • Himanshu Prajapati
Cinematographer
  • Ranabir Das
Language
  • Bengali
  • Hindi
  • with English subtitles
Print Info
  • B&W/Color
  • DCP
  • 96 mins
Source
  • Cinema Guild
Preceded By

Bat-Like Devil Chaser with a Top Hat

Amit Dutta, India, 2022

The photographs of artist Jyoti Bhatt create “an impression of an India that is beneath the facade of its unfolding history” (Dutta).

FILM DETAILS 
Print Info
  • B&W/Color
  • Digital
  • 25 mins
source
  • Amit Dutta