Far from the open plains of the classic Western, Robert Altman and cinematographer Vilmos Zsigmond created a radical and ravishing vision of the turn-of-the century Pacific Northwest, capturing the sodden grit of frontier life with impressive authenticity. The camera lingers below the horizon to take in the physical and social textures of the skeletal town of Presbyterian Church, where hustler McCabe and Cockney madam Mrs. Miller form a partnership to provide the services most needed by the local population: hot baths, booze, gambling, and women. Their enterprise soon attracts the attention of bigger business interests prepared to call McCabe’s bluff.