Pioneering Black abstract artist and curator Peter Bradley reflects on life and art in this invigorating, intimate documentary portrait. “Documentary in its purest form: one subject speaking and showing us his life and work. It is riveting” (Film Threat). With two short films by painter/filmmaker Mike Henderson.
In Person
Alex Rappoport
Mike Henderson
Local painter/filmmaker Mike Henderson will be in person with two short films, Dufus (aka Art) and The Shape of Things.Photo by Susan Deming
A fairy from heaven descends to Earth and finds love with a mill owner’s servant in this blend of fantasy film and Chinese huangmei diao musical opera, featuring Ivy Ling Bo as the male lead and some charming special effects.
Paul Fonoroff
Introduction
Paul Fonoroff is an expert on Chinese cinema who lived for years in Hong Kong and is currently based in Bangkok.
Celebrating Jeffrey Skoller’s many years cocurating Alternative Visions, we present his 1986 “image-sound tapestry” of Nicaragua and his recent portrait of his neighbor, two films reflecting on US involvement in wars.
A tune-filled, rabble-rousing farm girl incites the masses against greedy landowners—through a singing competition!—in this wildly entertaining Communist musical, filled with anti-capitalist throw downs and set amidst Guangxi’s stunning limestone cliffs and riverways.
Andrew F. Jones
Introduction
Andrew F. Jones is professor and Louis B. Agassiz Chair in Chinese in the East Asian Languages and Cultures Department, UC Berkeley.
Arturo de Córdova plays a middle-aged landowner, devout Catholic, and virgin whose marriage to a much-younger woman winds up destroyed by his own jealousy. One of Luis Buñuel’s most outrageous subversions of the traditional commercial melodrama.
“In striking synchronicity, a mayor, a conductor, and a robust postwar generation of composers intersected to make the city [of Louisville, Kentucky,] a hub for visionary composition” (New York Times).
Hong Kong icon Grace Chang stars as a hot-tempered nightclub temptress surrounded by bad love, bad men, and a worse fate in this fevered film noir musical of cigarettes, songs, and flair to burn. “One of the best films in the history of Hong Kong cinema” (Hong Kong Film Archive) and a Tsai Ming-liang favorite.
Weihong Bao
Introduction
Weihong Bao is associate professor in the Department of Film and Media and the Chinese Program of the East Asian Languages and Cultures Department, UC Berkeley.