This year's festival ventures from Canada to Kabul, offering glimpses-fictional and all too real-of women looking for love in Japan, polygamists in Indonesia, gangsters in Korea, and vampires in L.A. Plus two by Hong Sang-soo, South Korea's answer to Eric Rohmer.
Read full descriptionA low-level gangster deals with family problems and "family" problems in a Korean Mean Streets. "Elevates the genre to an epic narrative level."-Variety
The rise of polygamy is dissected in this fascinating Indonesian drama. Best Film Award, Hawaii International Film Festival.
Welcome to the world of Japanese "host" clubs, where the "love-for-hire" tables are turned and women pay for men's company. Best Documentary, Edinburgh Film Festival.
Five characters variously involved in film, gangs, and drugs weave through contemporary Taipei in this ultra-stylish noir. Best Film, Best Cinematography, Taipei Film Festival.
David Edwards in Person. The historic city of Kabul is shown as you've never seen it before in this street-level documentary. "A mosaic of images and experiences that convey the sorrow, black humor, irony, and surprising hope that can exist in the most untenable of situations."-Film Society of Lincoln Center
A lecherous film director stumbles through two romantic triangles in Hong Sang-soo's latest. “A wicked comedy of manners in the blue key of disappointment.”-N.Y. Times
Documentarian Nick Broomfield turns to fiction for this story of illegal Chinese immigrants in England. "A note of solidarity with the disposessed."-Variety.
The director and star of Vibrator return with this romantic, late-summer tale of a young woman and her varied love interests.
Beijing in the '80s-Tiananmen Square, student unrest-is the backdrop of this surprisingly explicit love story from the director of Purple Butterfly.
In-Soo Radstake in Person. A Korean adoptee in Holland embarks on an awkward search for his Korean family. A humorous take on “finding oneself.”
Grace Lee, Rebecca Sonnenshine, and Suzy Nakamura in Person. A “documentary” on one of the lesser-known marginalized communities of Los Angeles: zombies. From the director of The Grace Lee Project.
A recently arrived Korean immigrant in Toronto struggles to overcome isolation and teen heartbreak. “Painful, funny, unsentimental, perfectly measured in its ambiguities, it's exemplary low-budget filmmaking.”-Village Voice