Week of February 25, 2024

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Sunday, February 25

Sunday, February 25, 2024
11 AM–7 PM

Drop-In Art Making

The museum’s popular Fisher Family Art Lab welcomes drop-in visitors of all ages to explore their creativity through hands-on artmaking.
Series Workshops
Sunday, February 25, 2024
2 PM
Exhibition tours of Duane Linklater: mymothersside are led by UC Berkeley graduate students in the Theater, Dance, and Performance Studies and Ethnic Studies Departments, on selected Wednesdays at 12:15 PM and Sundays at 2 PM.

Included with admission.

Sunday, February 25, 2024
2 PM
Yasujiro Ozu,
Japan,
1962,
(113 mins)
Chishu Ryu once again plays a widowed father planning to marry off his daughter in Yasujiro Ozu’s beautiful, bittersweet last film. “Quietly tears your heart to pieces” (Terence Davies).
Sunday, February 25, 2024
5 PM
Kim Longinotto, Jano Williams,
United Kingdom,
1995,
(53 mins)
Shinjuku Boys, an amazing mid-1990s snapshot of AFAB gender identity in Japan, spotlights three onabe who pass as men and work as hosts at a Tokyo club.

A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space.

In Conversation
  • Jenni Olson
    Jenni Olson is a Berkeley-based queer film historian, writer, and filmmaker who is the proud proprietor of Butch.org, which features more information about all of her work as a longtime champion of LG
  • TT Takemoto
    TT Takemoto is an artist, filmmaker, and scholar exploring hidden dimensions of same sex intimacy and trauma in Asian and Asian American history.
  • Amy Sueyoshi
    Amy Sueyoshi is currently serving as provost at San Francisco State University. They are a historian by training with expertise at the intersection of queer studies and Asian American studies.
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Sunday, February 25, 2024
7 PM
Lisa Udelson,
United States,
2001,
(57 mins)
Award-winning Lifetime Guarantee: Phranc’s Adventures in Plastic follows Jewish butch lesbian folk singer Phranc navigating life as a Tupperware lady.
  • Lisa Udelson
    In Person

Monday, February 26

Tuesday, February 27

Wednesday, February 28

Wednesday, February 28, 2024
12:15 PM
Tours of What Has Been and What Could Be: The BAMPFA Collection take place on selected Sundays at 2 PM and Free First Thursdays at 1:15 PM
Wednesday, February 28, 2024
3:10 PM–6 PM
Werner Herzog,
Germany, United Kingdom, United States,
2011,
(107 mins)

Lecture & Screening

Werner Herzog’s very first film concept centered on a prison. Decades later, he reflects on a triple murder in a small Texas town through interviews with two men convicted of the killings. As he so often has, Herzog “probes the contradictions of the human heart, in which nobility and savagery are so entwined as to be almost indistinguishable” (A. O. Scott, New York Times).

Special Admission

General: $15

BAMPFA members: $11

UC Berkeley students: $7

UC Berkeley faculty and staff, non-UC Berkeley students, disabled persons, ages 65+ and 18 & under: $12

BAMPFA’s second-feature discount does not apply to these programs.

  • Michael Fox
    Lecture
    Michael Fox is a film critic and journalist for KQED’s Arts and Culture blog. He is a member of the San Francisco Bay Area Film Critics Circle and an inductee of SFFILM’s Essential SF.
Wednesday, February 28, 2024
7 PM
Naomi Uman,
Albania, Mexico,
2023,
(95 mins)
Continuing her focus on rural agricultural communities, traditions, and histories, Naomi Uman’s three sparks is a cinematic triptych showing the struggle and beauty of village life in the Albanian highlands. “A quicksilver vision of collective being” (Nicolas Pedrero-Setzer, Screen Slate).

Thursday, February 29

Thursday, February 29, 2024
7 PM
Haile Gerima,
United States,
1979,
(120 mins)

4K Digital Restoration

Centered on the wrongful 1972 imprisonment of nine men and one woman from the North Carolina city of Wilmington—still incarcerated when it was made—Wilmington 10 — U.S.A. 10,000 traces both the background of the accusations and the groundswell of support calling for the release of the accused.

Friday, March 1

Friday, March 1, 2024
2 PM–7 PM

Drop-In Art Making

The museum’s popular Fisher Family Art Lab welcomes drop-in visitors of all ages to explore their creativity through hands-on artmaking.
Series Workshops
Friday, March 1, 2024
7 PM
Edward Yang,
Taiwan,
1983,
(166 mins)
Two successful career women meet by chance and flash back to their pasts and paths—and those of Taiwan in the 1980s—in Edward Yang’s first feature, which also marked the debut of legendary cinematographer Christopher Doyle. Sylvia Chang stars.

A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space.

  • Weihong Bao
    Introduction
    Weihong Bao is associate professor in the Department of Film and Media and the Chinese Program of the East Asian Languages and Cultures Department, UC Berkeley.
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Saturday, March 2

Saturday, March 2, 2024
11 AM–7 PM

Drop-In Art Making

The museum’s popular Fisher Family Art Lab welcomes drop-in visitors of all ages to explore their creativity through hands-on artmaking.
Series Workshops
Saturday, March 2, 2024
11:30 AM
Frederick Wiseman,
France, United States,
2023,
(240 mins)
Esteemed documentarian Frederick Wiseman’s latest is a food lover’s heaven—a long, behind-the-scenes excursion into the world of France’s venerable restaurant La Maison Troisgros, which has held three Michelin stars for more than five decades.

Special Admission

General: $15

BAMPFA members: $11

UC Berkeley students: $7

UC Berkeley faculty and staff, non-UC Berkeley students, disabled persons, ages 65+ and 18 & under: $12

Saturday, March 2, 2024
4 PM
48
Susana de Sousa Dias,
Portugal,
2009,
(134 mins)
Susana de Sousa Dias’s hypnotic film is composed of photographs taken upon the arrest of political prisoners during the forty-eight years of the Portuguese dictatorial regime. With A Story from Africa (Billy Woodberry) and Soldier Playing with Dead Lizard (Daniel Barroca), which also examine historic photographs.