February 2025

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    3:00 PM
    • Film
    Sunday, January 26, 2025
    3:00 PM
    Michelangelo Antonioni,
    France, Italy,
    1961,
    (122 mins)
    Novelist Marcello Mastroianni and his wife, Jeanne Moreau, play out a drama of marital disillusionment against Michelangelo Antonioni’s rigorous sense of place and architecture.
    6:00 PM
    Sunday, January 26, 2025
    6:00 PM
    Henri-Georges Clouzot,
    France,
    1953,
    (147 mins)

    4K Digital Restoration

    Four desperate men are hired by a ruthless oil company to drive trucks filled with explosives across a mountainous South American country in one of the toughest noirs ever filmed. Starring Yves Montand. 
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    7:00 PM
    • Film
    • In-Person
    Wednesday, January 29, 2025
    7:00 PM
    Sérgio Toledo,
    Brazil,
    1986,
    (88 mins)
    One of the earliest portrayals in world cinema of a transmasculine character, a rarely seen Brazilian drama based on the life of the Brazilian trans poet Anderson Bigode Herzer.
    In Conversation
    • Jenni Olson
      Jenni Olson is a Berkeley-based queer film historian, writer, and filmmaker who is the proud proprietor of Butch.org, which features more information about all of her work as a longtime champion of LG
    • Julian Carter
      Julian Carter is the author of Dances of Time and Tenderness and The Heart of Whiteness: Normal Sexuality and Race in America. He teaches at California College of the Arts.
    • João Federici
      João Federici is a Brazilian-American producer and curator. He works at CAFILM as Mill Valley Film Festival’s Senior Programmer and curator for special series, such as CAFILM Pride.
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    7:00 PM
    • Film
    • In-Person
    Thursday, January 30, 2025
    7:00 PM
    Sergei Loznitsa,
    France, Netherlands,
    2024,
    (145 mins)

    Bay Area Premiere

    Working with a crew of cinematographers positioned in different regions of Ukraine, Sergei Loznitsa created a film that recounts the actions of the people who have resisted oppression on a daily basis since the Russian invasion began.
    • Sergei Loznitsa
      In Person
    31
    2:30 PM
    • Film
    • In-Person
    Friday, January 31, 2025
    2:30 PM
    Sergei Loznitsa,
    Netherlands, Ukraine,
    2021,
    (121 mins)
    Based entirely on archival footage (official documentation mixed with private footage shot by soldiers and civilians), Sergei Loznitsa’s film recounts the massacre of 33,771 Jews in the Babi Yar Ravine in Kyiv.
    In Conversation
    • Sergei Loznitsa
    • Nicholas Baer
      Nicholas Baer is an Assistant Professor of German at UC Berkeley.
    7:00 PM
    • Film
    • In-Person
    Friday, January 31, 2025
    7:00 PM
    Quentin Tarantino,
    United States,
    2015,
    (168 mins)
    Quentin Tarantino’s post–Civil War whodunit entangles a group of strangers in a tense, claustrophobic racial standoff in a snowbound stagecoach lodge in Wyoming.
    • Leila Weefur
      Introduction
      Leila Weefur is an artist, writer, and independent curator based in Oakland.
    1
    2:30 PM
    Saturday, February 1, 2025
    2:30 PM
    Sergei Loznitsa,
    Germany,
    2022,
    (109 mins)
    An intense work of archival documentary filmmaking inspired by W. G. Sebold’s essay on the devastation of World War II urban bombing campaigns.
    In Conversation
    • Sergei Loznitsa
    • Deniz Göktürk
      Deniz Göktürk is a Professor of German and Film at UC Berkeley.
    6:30 PM
    • Film
    • In-Person
    Saturday, February 1, 2025
    6:30 PM
    Sergei Loznitsa,
    Lithuania, Netherlands,
    2019,
    (135 mins)
    Archival imagery of the news and state funeral for Joseph Stalin. “This expertly constructed rearranging of archival and propaganda footage is the rare film to merit immediate status as a canonical work” (Jay Weissberg, Variety).
    In Conversation
    • Sergei Loznitsa
    • Anne Nesbet
      Anne Nesbet is a Professor of Slavic Languages and Literatures and Film & Media at UC Berkeley.
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    12:30 PM
    • Film
    • In-Person
    Sunday, February 2, 2025
    12:30 PM
    Bonni Cohen, Jon Shenk, Pedro Kos,
    United States,
    2024,
    (96 mins)
    Briskly told through the lens of contemporaneous media, The White House Effect is a forensic accounting of how, through the 1980s and 1990s the United States government arrived at a political consensus of cataclysmic inaction on climate change.
    In Conversation
    • Jon Shenk
    • Justine Nagan
      Justine Nagan is the Head of Production at Actual Films and a producer of The White House Effect.
    • Jennifer Redfearn
      Jennifer Redfearn is an Academy Award–nominated filmmaker and the Director of the Documentary Program at the UC Berkeley Graduate School of Journalism.
    3:45 PM
    • Film
    • In-Person
    Sunday, February 2, 2025
    3:45 PM
    Sergei Loznitsa,
    France, Germany, Netherlands, Romania, Ukraine,
    2018,
    (121 mins)
    A journey through the Donbass unfolds as a chain of curious adventures, in which the grotesque and dramatic are as intertwined as life and death. 
    In Conversation
    • Sergei Loznitsa
    • Polina Barskova
      Polina Barskova is an Assistant Professor in the Department of Slavic Languages and Literatures at UC Berkeley.
    7:00 PM
    • Film
    Sunday, February 2, 2025
    7:00 PM
    Federico Fellini,
    Italy,
    1963,
    (138 mins)
    For many, Marcello Mastroianni defined Italian masculinity, or at least the debonair version of it, and in this Federico Fellini masterpiece, he gives perhaps his most dashing performance, at once intellectualized and sexualized.

    A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space.

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    ICS
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    7:00 PM
    • Film
    • Free
    • In-Person
    Wednesday, February 5, 2025
    7:00 PM

    Free Admission

    Factory showcases Sergei Loznitsa’s approach to nonfiction, working with original camerawork and mining the archives for imagery, with the annual Mosse Lecture.

    Free admission. Tickets available at the admissions desk beginning at 6:00 PM.

    In Conversation
    • Sergei Loznitsa
    • Deniz Göktürk
      Deniz Göktürk is a Professor of German and Film at UC Berkeley.
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    7:00 PM
    • Film
    • In-Person
    Thursday, February 6, 2025
    7:00 PM
    Dee Rees,
    United States,
    2011,
    (86 mins)
    A Black butch teen navigates her senior year of high school in this poignant coming-of-age drama from writer-director Dee Rees (Bessie, Mudbound).
    In Conversation
    • Jenni Olson
      Jenni Olson is a Berkeley-based queer film historian, writer, and filmmaker who is the proud proprietor of Butch.org, which features more information about all of her work as a longtime champion of LG
    • Leila Weefur
      Leila Weefur is an artist, writer, and independent curator based in Oakland.
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    2:30 PM
    • Film
    • In-Person
    Friday, February 7, 2025
    2:30 PM
    Sergei Loznitsa,
    Belarus, Germany, Latvia, Netherlands, Russia,
    2012,
    (128 mins)
    Two partisans plan to kill a Belarusian railway worker suspected of Nazi sympathies in Sergei Loznitsa’s dreamlike narrative film. “A masterpiece” (David Thomson).
    • Sergei Loznitsa
      In Person
    7:00 PM
    • Film
    • In-Person
    Friday, February 7, 2025
    7:00 PM
    Robert Altman,
    United States,
    1971,
    (121 mins)

    4K Digital Restoration

    Far from the open plains of the classic Western, Robert Altman and cinematographer Vilmos Zsigmond created a radical and ravishing vision of the turn-of-the-century Pacific Northwest, capturing the sodden grit of frontier life with impressive authenticity.

    A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space.

    • Leila Weefur
      Introduction
      Leila Weefur is an artist, writer, and independent curator based in Oakland.
    Google Calendar
    ICS
    8
    3:00 PM
    • Film
    • In-Person
    Saturday, February 8, 2025
    3:00 PM
    Anirban Dutta, Anupama Srinivasan,
    India, United States,
    2024,
    (87 mins)
    Winner of a Special Jury Award for Craft at the Sundance Film Festival, the immersive Nocturnes tracks a small research team through the verdant Eastern Himalayas for a study of the local population of hawk moths. Screening with Stan Brakhage’s Mothlight.
    In Conversation
    • Patrick Gonzalez
      Patrick Gonzalez is a climate change scientist, forest ecologist, and Associate Adjunct Professor in the UC Berkeley Department of Environmental Science, Policy, and Management.
    • Sugata Ray
      Sugata Ray is Associate Professor of South and Southeast Asian Art and Architecture in the Departments of History of Art and South and Southeast Asian Studies, and Faculty Director of the Climate Chan
    • Jason Spingarn-Koff
      Jason Spingarn-Koff is a Professor of Journalism and Knight Chair of Climate Journalism at UC Berkeley.
    6:00 PM
    • Film
    • In-Person
    Saturday, February 8, 2025
    6:00 PM
    Sergei Loznitsa,
    France, Germany, Lithuania, Netherlands,
    2017,
    “A captivating, hallucinatory plunge into Russia’s atrophied civil society, in which a woman’s search for answers is rewarded with humiliation and abuse” (Jay Weissberg, Variety).
    In Conversation
    • Sergei Loznitsa
    • Eric Naiman
      Eric Naiman is a Professor in the Department of Slavic Languages and Literatures at UC Berkeley.
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    1:00 PM
    • Film
    • In-Person
    Sunday, February 9, 2025
    1:00 PM
    Ben Addelman, Ziya Tong,
    Canada,
    2024,
    (83 mins)
    “One of those essential state-of-our-world documentaries” (Variety), Plastic People is an efficient and emotional chronicle of the exponential growth of the plastics industry and its global and physiological impact.
    In Conversation
    • Ting Xu
      Ting Xu is a Professor in the Department of Chemistry and the Department of Materials Science and Engineering at UC Berkeley.
    • Tracey Woodruff
      Tracey Woodruff is the Director of the Program on Reproductive Health and the Environment at UC San Francisco.
    • Shannon Jackson
      Shannon Jackson is the Cyrus and Michelle Hadidi Professor of the Arts & Humanities, Department Chair of History of Art, and former Associate Vice Chancellor for the Arts + Design at UC Berkeley.
    4:00 PM
    Sunday, February 9, 2025
    4:00 PM
    Ettore Scola,
    Italy,
    1977,
    (106 mins)
    Italian cinema dream team Sophia Loren and Marcello Mastroianni are cast against glamorous type and deliver two of the finest performances of their careers in this moving, quietly subversive drama from Ettore Scola.
    7:00 PM
    Sunday, February 9, 2025
    7:00 PM
    G. W. Pabst,
    Germany,
    1930,
    (96 mins)
    G. W. Pabst illustrates the harrowing ordeals of battle with unprecedented naturalism, as the soldiers are worn away in body and spirit by firefights, shelling, and the disillusion that greets them on the home front.
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    7:00 PM
    • Film
    • In-Person
    Wednesday, February 12, 2025
    7:00 PM
    Basel Adra, Hamdan Ballal, Yuval Abraham, Rachel Szor,
    Norway, Palestine,
    2024,
    (96 mins)
    Made over five years by a collective of Palestinian and Israeli filmmakers, No Other Land chronicles the attempts of the inhabitants of Palestinian villages in the West Bank to resist the destruction of their homes and expropriation of their land by the Israeli military.

    A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space.

    • Ussama Makdisi
      Introduction
      Ussama Makdisi is a Professor of History and Chancellor’s Chair at UC Berkeley.
    Google Calendar
    ICS
    13
    7:00 PM
    Thursday, February 13, 2025
    7:00 PM
    G. W. Pabst,
    Germany,
    1931,
    (110 mins)
    A classic adaptation of the Weimar-era theatrical sensation set in the impoverished back alleys of Victorian London with Kurt Weill’s irresistible score, The Threepenny Opera remains a benchmark of early sound cinema.
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    4:00 PM
    • Film
    • In-Person
    Friday, February 14, 2025
    4:00 PM
    Basel Adra, Hamdan Ballal, Yuval Abraham, Rachel Szor,
    Norway, Palestine,
    2024,
    (96 mins)
    Made over five years by a collective of Palestinian and Israeli filmmakers, No Other Land chronicles the attempts of the inhabitants of Palestinian villages in the West Bank to resist the destruction of their homes and expropriation of their land by the Israeli military.

    A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space.

    Google Calendar
    ICS
    7:00 PM
    • Film
    • In-Person
    Friday, February 14, 2025
    7:00 PM
    Shusuke Kaneko,
    Japan,
    1988,
    (90 mins)

    35mm Archival Print

    An ethereal Japanese melodrama with cult status about the shifting attractions between four boys (played by girls) at an isolated country school. Long unavailable, it is shown in a rare 35mm print.

    A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space.

    In Conversation
    • Jenni Olson
      Jenni Olson is a Berkeley-based queer film historian, writer, and filmmaker who is the proud proprietor of Butch.org, which features more information about all of her work as a longtime champion of LG
    • Karen Nakamura
      Karen Nakamura is the Robert and Colleen Haas Distinguished Chair of Disability Studies and a Professor of Anthropology at UC Berkeley.
    Google Calendar
    ICS
    15
    4:30 PM
    • Film
    Saturday, February 15, 2025
    4:30 PM
    Marco Bellocchio,
    Italy,
    1984,
    (82 mins)
    Marcello Mastroianni brings his heart to this powerful and haunting film, Marco Bellocchio’s adaptation of a Luigi Pirandello play. The score is by Astor Piazzolla.
    6:30 PM
    • Film
    • In-Person
    Saturday, February 15, 2025
    6:30 PM
    Kelly Reichardt,
    United States,
    2010,
    (118 mins)

    BAMPFA Collection

    Three strong women and an assortment of men head west on the Oregon Trail in Kelly Reichardt’s feminist Western, starring Michelle Williams and Zoe Kazan. Screening with Charles Burnett’s The Horse.
    • Leila Weefur
      Introduction
      Leila Weefur is an artist, writer, and independent curator based in Oakland.
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    1:00 PM
    Sunday, February 16, 2025
    1:00 PM
    Béla Tarr,
    Germany, Hungary, Switzerland,
    1994,
    (432 mins)

    BAMPFA Collection

    Béla Tarr’s extraordinary seven-and-a-half-hour epic Sátántangó. “Set on an entropic collective farm during the last years of Hungarian Communism, it’s a mordant, characteristically Eastern European tale of hapless peasants and charismatic swindlers. . . . Despair has never been more voluptuously precise” (Village Voice).

    A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space.

    Shown with two intermissions, 20 mins and 40 mins.

    Special admission: General: $30; BAMPFA members, UC Berkeley students, faculty, and staff, non-UC Berkeley students, disabled persons, ages 65+ and 18 & under: $20

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    7:00 PM
    Wednesday, February 19, 2025
    7:00 PM
    Dana Claxton,
    Canada,
    2023,
    (111 mins)
    Drawing from and expanding on James Luna’s ISHI: The Archive Performance, Dana Claxton and members of the Ishi Collective interrogate the legacy of colonial museum practices through the tragic story of the last known survivor of the Yahi people.
    • Dmitri Brown
      Introduction
      Dmitri Brown is a historian focusing on modern Native American and Indigenous experiences and Associate Professor of History at UC Berkeley.
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    7:00 PM
    • Film
    • In-Person
    Thursday, February 20, 2025
    7:00 PM
    Paul Schneider,
    United States,
    1986,
    (86 mins)

    35mm Archival Print

    Pamela Adlon (Better Things) stars in this long-unavailable, whimsical 1980s teen comedy about a girl whose wish to become a boy is fulfilled overnight.

    A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space.

    In Conversation
    • Jenni Olson
      Jenni Olson is a Berkeley-based queer film historian, writer, and filmmaker who is the proud proprietor of Butch.org, which features more information about all of her work as a longtime champion of LG
    • Maia Kobabe
      Maia Kobabe is the author of the award-winning graphic memoir, Gender Queer, which was the most challenged book in the United States in 2021, 2022, and 2023.
    Google Calendar
    ICS
    21
    4:30 PM
    Friday, February 21, 2025
    4:30 PM
    G. W. Pabst,
    Germany,
    1931,
    (88 mins)
    A gripping disaster film and a stirring plea for international cooperation, Kameradschaft cemented G. W. Pabst’s status as one of the most morally engaged and formally dexterous filmmakers of his time.
    7:00 PM
    • Film
    Friday, February 21, 2025
    7:00 PM
    Nikita Mikhalkov,
    Italy, USSR,
    1987,
    (118 mins)

    4K Digital Restoration

    In Dark Eyes—inspired by four Anton Chekhov stories, but in style and tone owing as much to Federico Fellini as it does to Russian literature—Marcello Mastroianni delivers an award-winning performance.
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    3:30 PM
    • Families
    • Film
    Saturday, February 22, 2025
    3:30 PM
    Jacques Perrin, Jacques Cluzaud, Michel Debats,
    France, Germany, Italy, Switzerland,
    2001,
    (85 mins)

    Recommended for ages 7 & up
    English-language version 

    This documentary “provides such an intense vicarious experience of being a flapping airborne creature . . . that you leave the theater feeling like an honorary member of another species” (New York Times).
    6:30 PM
    • Closed Captioned
    • Film
    • In-Person
    Saturday, February 22, 2025
    6:30 PM
    Jane Campion,
    Australia, Canada, New Zealand, United Kingdom, United States,
    2021,
    (126 mins)

    Closed Captioned

    From the rawhide to the stark reverberance of footsteps and banjo plucks, everything in The Power of the Dog works in concert to uncover the simmering shame and resentment seated within the deep histories of a Wyoming family ranch.
    • Leila Weefur
      Introduction
      Leila Weefur is an artist, writer, and independent curator based in Oakland.
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    1:00 PM
    • Film
    • In-Person
    Sunday, February 23, 2025
    1:00 PM
    Daphne Matziaraki, Peter Murimi,
    Greece, Kenya, United States,
    2024,
    (94 mins)
    Drought, dwindling resources, and contentious elections in equatorial Kenya exacerbate the conflict between semi-nomadic Indigenous pastoralists and wealthy white ranchers in this documentary epic. “A tense, beautiful, and heartbreaking film” (Vulture).
    In Conversation
    • Maya Craig
      Maya Craig is a cinematographer and coproducer of The Battle for Laikipia.
    • Miswa Basil
      Miswa Basil is a doctoral candidate in the Department of Environmental Science, Policy, and Management at UC Berkeley.
    • Jennifer Redfearn
      Jennifer Redfearn is an Academy Award–nominated filmmaker and the Director of the Documentary Program at the UC Berkeley Graduate School of Journalism.
    4:00 PM
    Sunday, February 23, 2025
    4:00 PM
    G. W. Pabst,
    France, Germany,
    1932,
    (90 mins)
    Dominated by the statuesque presence of Brigitte Helm this “campy, exotic fantasy takes place in a décor of dazzling white buildings, studio sand, and artificial pools” (Bloomsbury Foreign Film Guide).
    7:00 PM
    • Film
    • In-Person
    Sunday, February 23, 2025
    7:00 PM
    Alfredo B. Crevenna,
    Mexico,
    1951,
    (101 mins)

    Filmoteca-UNAM’s Collection

    A rare Mexican girls school melodrama of a student in love with her teacher, a remake of the 1931 German film Mädchen in Uniform (considered to be the first lesbian film ever made).

    A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space.

    In Conversation
    • Jenni Olson
      Jenni Olson is a Berkeley-based queer film historian, writer, and filmmaker who is the proud proprietor of Butch.org, which features more information about all of her work as a longtime champion of LG
    • Juana María Rodríguez
      Juana María Rodríguez is a Professor of Ethnic Studies at UC Berkeley and a cultural critic, public speaker, and award-winning author who writes about sexual cultures, racial politics, and the many ta
    Google Calendar
    ICS
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    7:00 PM
    • Film
    • In-Person
    Wednesday, February 26, 2025
    7:00 PM
    Michael Dweck, Gregory Kershaw,
    Argentina, United States,
    2024,
    (116 mins)
    These two films document contemporary cowboy culture on two continents. Gaucho Gaucho chronicles the everyday life of Argentine cowhands, while Ten Five in the Grass captures the preparations for a calf roping event on the Black rodeo circuit.

    Due to a three-day strike across the University of California system, BAMPFA is operating with reduced hours this week. Multiple film screenings have been canceled, and galleries will close early on Wednesday and Thursday. Click here for more information.

    • Leila Weefur
      Introduction
      Leila Weefur is an artist, writer, and independent curator based in Oakland.
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    Thursday, February 27, 2025
    7:00 PM
    Roberto Faenza,
    France, Italy, Portugal,
    1995,
    (104 mins)
    Antonio Tabucchi’s novel According to Pereira “provides Marcello Mastroianni with one of his best roles” (David Rooney, Variety).

    Due to a three-day strike across the University of California system, BAMPFA is operating with reduced hours this week. Multiple film screenings have been canceled, and galleries will close early on Wednesday and Thursday. Click here for more information.

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    Friday, February 28, 2025
    4:30 PM
    G. W. Pabst,
    France,
    1938,
    (100 mins)
    G. W. Pabst left Germany only to be censored by the French, his film recut. But as Nora Sayre advised in the New York Times, “Ignore the muddles and savor the cast of characters.”

    Due to a three-day strike across the University of California system, BAMPFA is operating with reduced hours this week. Multiple film screenings have been canceled, and galleries will close early on Wednesday and Thursday. Click here for more information.

    7:00 PM
    • Film
    • In-Person
    Friday, February 28, 2025
    7:00 PM
    Zacharias Kunuk,
    Canada,
    2016,
    Maliglutit continues in the breathtaking vein of Canadian Inuk filmmaker Zacharias Kunuk’s unforgettable Atanarjuat: The Fast Runner with a story of cruelty and cold revenge inspired by John Ford’s The Searchers and spoken entirely in Inuktitut.

    Due to a three-day strike across the University of California system, BAMPFA is operating with reduced hours this week. Multiple film screenings have been canceled, and galleries will close early on Wednesday and Thursday. Click here for more information.

    • Shari Huhndorf
      Introduction
      Shari Huhndorf is Class of 1938 Professor of Native American Studies, Department of Ethnic Studies, UC Berkeley.
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    Saturday, March 1, 2025
    3:30 PM
    Payal Kapadia,
    France, India, Luxembourg, Netherlands,
    2024,
    (115 mins)
    Crafted with visual poetry and emotional empathy, Payal Kapadia’s drama shines a light on three hospital workers as they negotiate love and life in the teeming metropolis of Mumbai. Outstanding performances and cinematography that reflects the small but wondrous epiphanies of everyday lives anchor this Cannes Grand Prix winner.
    6:30 PM
    • Film
    • In-Person
    Saturday, March 1, 2025
    6:30 PM
    Alf Sjöberg,
    Sweden,
    1944,
    (123 mins)
    Ingmar Bergman’s first produced screenplay was for the great Swedish filmmaker Alf Sjöberg’s Torment, a dark coming-of-age drama about a boarding-school senior who falls in love with a shopgirl, with a standout performance by Mai Zetterling. Preceded by a short documentary on Zetterling’s career.
    • Linda Haverty Rugg
      Introduction
      Linda Haverty Rugg is Professor Emerita in the Department of Scandinavian at UC Berkeley.