Week of February 17, 2019

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Sunday, February 17

Sunday, February 17, 2019
1 PM

Programmed by Lukaza Branfman-Verissimo

Explore the use of dreams to illuminate alternative nonlinear timelines, access collective and ancestral knowledge, and map inner landscapes.
Included with admission
Sunday, February 17, 2019
1 PM
Fritz Lang,
Germany,
1922,
(154 mins)
A vicious portrait of post-WWI social breakdown (in fabulous art deco settings). A fiendish mastermind gifted with sinister hypnotic powers, “Mabuse is history’s secret agent” (J. Hoberman).
  • Judith Rosenberg
    On Piano
Sunday, February 17, 2019
11 AM–7 PM

Drop-in Art Making

Sunday, February 17, 2019
4:30 PM
Fritz Lang,
Germany,
1922,
(114 mins)
In Part II, Mabuse descends into madness, but we haven’t seen the last of him!
  • Bruce Loeb
    On Piano
Sunday, February 17, 2019
7 PM
Jia Zhangke,
China,
2013,
(133 mins)
Jia takes on the collateral damage of China’s maniacal growth, explosively restaging four violent deeds to illustrate everyday citizens pushed to the edge—of the economy. Winner of the Best Screenplay prize at Cannes.

Monday, February 18

Tuesday, February 19

Tuesday, February 19, 2019
6:30 PM
Frederick Wiseman,
United States,
2018,
(143 mins)

Film to Table dinner follows the February 16 screening

The eternal Frederick Wiseman trains his camera on small-town America in the age of Trump, observing the citizens of Monrovia, Indiana, after the 2016 national election.
Tuesday, February 19, 2019
7 PM

Programmed by Mahealani Uchiyama

Join us for an evening of kathak, a classical dance of northern India that tells stories through gesture, footwork, and meticulous facial expression.
Included with admission. Seating for Full is limited.
Series Full 2019

Wednesday, February 20

Wednesday, February 20, 2019
12 PM-1 PM
Peruse a series of the artist's notebooks, which offer insight into his singular approach, in the Works on Paper Study Center.
Wednesday, February 20, 2019
12:15 PM
Expert tour guides share highlights of exhibitions on view throughout the museum.
Included with admission
Wednesday, February 20, 2019
3:10 PM

Open to Curator's Circle members at the $2,500 level and above.

Director James Ivory introduces a screening of his early films and shorts, then joins us for conversation and dinner at Babette. 
Curator's Circle members only event.
Wednesday, February 20, 2019
3:10 PM
James Ivory,
United Kingdom,
1975,
(98 mins)
The adoring daughter (Madhur Jaffrey) of a once-powerful maharajah invites her father’s tutor (James Mason) to tea, and stories begin to flow, in Ivory’s critique of colonial memory. With shorts The Sword and the Flute and The Creation of Woman.  
Special admission: General: $15; BAMPFA members: $11; UC Berkeley students: $7; UC Berkeley faculty and staff, non–UC Berkeley students, disabled persons, ages 65+ and 18 & under: $12.
In Conversation
  • James Ivory
  • Ajay Gehlawat
    Ajay Gehlawat is a professor of theater and film at Sonoma State University and author of several studies on Indian cinema, including Twenty-First Century Bollywood.
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Wednesday, February 20, 2019
7 PM
Nika Saravanja, Alessandro D’Emilia,
Italy,
2016,
(75 mins)
This documentary follows eco-composer David Monacchi’s attempt to create a 3-D aural record of the vanishing sounds of the Amazon rainforests. With Richard Lerman’s short Arctic Transitions: In the Age of Carbon.
  • Richard Lerman
    In Person
    Richard Lerman is professor of sound, media, and digital arts at Arizona State University. He will introduce his short film, Arctic Transitions: In the Age of Carbon.

Thursday, February 21

Thursday, February 21, 2019
12 PM
Thomas Wood delivers a talk drawing on her decades-long experience in dance, including her career as a performer and teacher with the Martha Graham Company and as founder of the dance program at UC Berkeley.
Free admission
Thursday, February 21, 2019
4—7 PM

Drop-in Art Making

Thursday, February 21, 2019
5 PM-6 PM
Peruse a series of the artist's notebooks, which offer insight into his singular approach, in the Works on Paper Study Center.
Thursday, February 21, 2019
7 PM
(70 mins)
Local collective The Black Aesthetic present rarely seen educational, ethnographic, and experimental works exploring the theme of black interiors: Lynne Sachs’s Sermons and Sacred Pictures and two films on the famous folk singer Bessie Jones.
In Conversation
  • The Black Aesthetic
    The Black Aesthetic is an Oakland-based organization whose mission is to curate a collective understanding of black visual culture.
  • Marvin K. White
    Marvin K. White is a poet, artist, teacher, and preacher currently serving as artivist in residence at the Oakland Peace Center.

Friday, February 22

Friday, February 22, 2019
4 PM
Fritz Lang,
France,
1934,
(120 mins)
Charles Boyer gives a winning performance as a self-centered carousel operator in this inventive fantasy touched with melancholic poetry.
Friday, February 22, 2019
4—9 PM

Drop-in Art Making

Friday, February 22, 2019
7 PM
James Ivory,
India,
1965,
(115 mins)
A family of English Shakespearean actors find themselves lost in the new India in Ivory’s insightful, Chekhovian look at life, art, and cultural change. With a musical score by Satyajit Ray.  
  • James Ivory
    In Person
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Saturday, February 23

Saturday, February 23, 2019
11 AM—9 PM

Drop-in Art Making

Saturday, February 23, 2019
4:30 PM
Fritz Lang,
Germany,
1933,
(112 mins)

Imported 35mm Print

From an insane asylum, the evil Mabuse carries on his international terrorism. Lang shapes an anti-Nazi allegory in the form of a thriller.
Saturday, February 23, 2019
7 PM

Programmed by Chika Okoye and David Brazil

Experience Afrofuturist mythos through story and song with writer, vocalist, sacred scholar, and activist Amber McZeal.
Included with admission
Saturday, February 23, 2019
7:30 PM
James Ivory,
India,
1969,
(112 mins)

35mm Studio Vault Print

A sitar virtuoso takes an English pop star as a pupil—with predictably disruptive results—in “Merchant Ivory’s version of a sixties trip” (James Ivory). Uptal Butt, Michael York, and Rita Tushingham star in this spoof on the Western fascination with all things India.
  • James Ivory
    In Person
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